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Portraits of the Artist as a Young Woman : Painting and the Novel in France and Britain, 1800-1860 /

This title focuses on a decisive period in the process of professional self-invention and maps out the concrete and symbolic roles played by women painters, real and fictional, in the construction of female artistic identity in the aesthetic and the public spheres. The author examines the diverse an...

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Detalles Bibliográficos
Autor principal: Wettlaufer, Alexandra
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Columbus : Ohio State University Press, 2011.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Wettlaufer, Alexandra. 
245 1 0 |a Portraits of the Artist as a Young Woman :   |b Painting and the Novel in France and Britain, 1800-1860 /   |c Alexandra K. Wettlaufer. 
264 1 |a Columbus :  |b Ohio State University Press,  |c 2011. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2011. 
300 |a 1 online resource (368 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Women in the studio: representing professional identity -- "Why are you no longer my brothers?" The Fraternite des arts and the female artist in Marceline Desbordes-Valmore's L'atelier d'un peintre -- Sisterhood in/as the studio: Anna Mary Howitt's sisters in art -- Visualizing imagined communities: lessons of the female artist in Staël, Owenson, and Lescot -- Revolutionary identities: painting and resistance in Owenson's The princess; or the beguine -- Angelique Arnaud's Clemence: art, revolution, and Saint-Simonianism -- Margaret Gillies and the miniature: portraits of radical engagement -- Brontë's portraits of romantic resistance: The tenant of Wildfell Hall -- From margin to center: Sand's portraits of difference. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a This title focuses on a decisive period in the process of professional self-invention and maps out the concrete and symbolic roles played by women painters, real and fictional, in the construction of female artistic identity in the aesthetic and the public spheres. The author examines the diverse and complex ways canonical and non-canonical women painters and novelists - including Anne Bronte, Sydney Owenson, Margaret Gillies, Marceline Desbordes-Valmore, George Sand, and Hortense Haudebourt-Lescot - figured and brought forth the radical image of a female subject representing the world.--Publisher. 
588 |a Description based on print version record. 
650 7 |a Schriftstellerin.  |2 idszbz 
650 7 |a Selbstbildnis.  |2 idszbz 
650 7 |a Künstlerin.  |2 idszbz 
650 7 |a Selbstverständnis  |2 gnd 
650 7 |a Schriftstellerin  |2 gnd 
650 7 |a Künstlerin  |2 gnd 
650 7 |a Women authors, French.  |2 fast  |0 (OCoLC)fst01177270 
650 7 |a Women authors, English.  |2 fast  |0 (OCoLC)fst01177253 
650 7 |a Women artists.  |2 fast  |0 (OCoLC)fst01177159 
650 7 |a LITERARY CRITICISM / General  |2 bisacsh 
650 6 |a Femmes artistes  |z France  |x Histoire  |y 19e siecle. 
650 6 |a Femmes artistes  |z Angleterre  |x Histoire  |y 19e siecle. 
650 6 |a Écrivaines françaises  |y 19e siecle. 
650 6 |a Écrivaines anglaises  |y 19e siecle. 
650 0 |a Women authors, English  |y 19th century. 
650 0 |a Women authors, French  |y 19th century. 
650 0 |a Women artists  |z England  |x History  |y 19th century. 
650 0 |a Women artists  |z France  |x History  |y 19th century. 
651 7 |a England.  |2 idszbz 
651 7 |a Frankreich.  |2 idszbz 
651 7 |a England  |2 gnd 
651 7 |a Frankreich  |2 gnd 
651 7 |a France.  |2 fast  |0 (OCoLC)fst01204289 
651 7 |a England.  |2 fast  |0 (OCoLC)fst01219920 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
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830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/24286/ 
945 |a Project MUSE - Archive Complete Supplement II 
945 |a Project MUSE - Archive Literature Supplement II