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121109s2013 ohu o 00 0 eng d |
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|z 2012041520
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|a 9780814270196
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|z 9780814212172
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|a (OCoLC)867740784
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Chevaillier, Flore,
|d 1979-
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245 |
1 |
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|a The Body of Writing :
|b An Erotics of Contemporary American Fiction /
|c Flore Chevaillier.
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|a Columbus :
|b Ohio State University Press,
|c [2013]
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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|c ©[2013]
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300 |
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|a 1 online resource (208 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Erotic etudes : theory of the self and language -- Semiotics and erotics in Joseph McElroy's Plus -- "A certain pulsing" : the erotic page in Carole Maso's AVA -- Erotics and corporeality in Theresa Hak Kyung Cha's DICTEE -- Bodily and literary modifications in Steve Tomasula's VAS : an opera in Flatland.
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|a Open Access
|f Unrestricted online access
|2 star
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|a This book examines four postmodern texts whose authors play with the material conventions of "the book": Joseph McElroy's Plus (1977), Carole Maso's AVA (1993), Theresa Hak Kyung Cha's DICTEE (1982), and Steve Tomasula's VAS (2003). By demonstrating how each of these works calls for an affirmative engagement with literature, the author explores a centrally important issue in the criticism of contemporary fiction. Critics have claimed that experimental literature, in its disruption of conventional story-telling and language uses, resists literary and social customs. While this account is accurate, it stresses what experimental texts respond to more than what they offer. This book proposes a counter-view to this emphasis on the strictly privative character of innovative fictions by examining experimental works' positive ideas and affects, as well as readers' engagement in the formal pleasure of experimentations with image, print, sound, page, orthography, and syntax. Elaborating an erotics of recent innovative literature implies that we engage in the formal pleasure of its experimentations with signifying techniques and with the materiality of their medium. Such engagement provokes a fusion of the reader's senses and the textual material, which invites a redefinition of corporeality as a kind of textual practice.
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|a Description based on print version record.
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650 |
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7 |
|a Semiotics and literature.
|2 fast
|0 (OCoLC)fst01112369
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650 |
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7 |
|a Reading.
|2 fast
|0 (OCoLC)fst01090626
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650 |
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7 |
|a English language
|x Style.
|2 fast
|0 (OCoLC)fst00911825
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650 |
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7 |
|a LITERARY CRITICISM / General
|2 bisacsh
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650 |
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6 |
|a Semiotique et litterature.
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650 |
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6 |
|a Roman americain
|x Histoire et critique
|x Theorie, etc.
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650 |
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6 |
|a Anglais (Langue)
|x Stylistique.
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650 |
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6 |
|a Lecture.
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650 |
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0 |
|a Semiotics and literature.
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650 |
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0 |
|a American fiction
|x History and criticism
|x Theory, etc.
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650 |
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0 |
|a English language
|x Style.
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650 |
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0 |
|a Reading.
|
655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/24233/
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945 |
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|a Project MUSE - 2013 Literature
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945 |
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|a Project MUSE - 2013 Complete
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