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Dimensions of Originality : Essays on Seventeenth-Century Chinese Art Th eory and Criticism /
Dimensions of Originality investigates the issue of conceptual originality in seventeenth-century art criticism, a period in which China dynamically reinvented itself. The term which was called upon to indicate conceptual originality more than any other was qi, literally, "different"; but...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Maryland :
Project Muse,
2013.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 050 | 4 | |a N7343.5 |b .B874 2013 | |
| 100 | 1 | |a Burnett, Katharine Persis, |e author. | |
| 245 | 1 | 0 | |a Dimensions of Originality : |b Essays on Seventeenth-Century Chinese Art Th eory and Criticism / |c Katharine P. Burnett. |
| 264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2013. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©2013. | |
| 300 | |a 1 online resource (444 pages): |b illustrations (some color). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 504 | |a Includes bibliographical references (pages 385-402) and index. | ||
| 505 | 0 | |a Part I -- 1. some problems of expectation or speculations on why originality can't be a "traditional Chinese" value (when it is) -- Some problems of interpretation or discerning the flavors of a fine kettle of fish -- Part II. Ideas and words -- How ideas spread across China and among the classes -- The importance of a word : a discussion of critical terms -- Part III. What the theorists and critics had to say -- What the texts say : originality in pre-seventeenth-century art theory and criticism -- What the texts say : originality in seventeenth-century painting theory and criticism -- What the texts say : originality in seventeenth-century calligraphy theory and criticism -- Part IV. Images -- The other Dong Qichang -- What originality looks like : Wu Bin's On the way to Shanyin -- Part V. The legacy of a concept -- 10. The End of originality as the seventeenth century knew it -- Epilogue. A new canon : qi becomes the new zheng -- Appendix. Instances of the ise of qi, yi, and guai in sobriquet dictionaries -- Notes -- Bibliography -- Index. | |
| 506 | |a Access restricted to authorized users and institutions. | ||
| 520 | |a Dimensions of Originality investigates the issue of conceptual originality in seventeenth-century art criticism, a period in which China dynamically reinvented itself. The term which was called upon to indicate conceptual originality more than any other was qi, literally, "different"; but secondarily, "odd," like a number and, by extension, "the novel" and "extraordinary." Burnett speculates on why many have dismissed originality as a "traditional Chinese" value, and the ramifications this has had on understanding. She further demonstrates that a study of key terms can reveal social and cultural values, and provides a linear history of the increase in use of qi as "originality" through the seventeenth centuries. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Art, Chinese |y Ming-Qing dynasties, 1368-1912. | |
| 650 | 0 | |a Art criticism |z China |x History |y 17th century. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse, |e distributor. | |
| 776 | 1 | 8 | |i Print version: |z 9629964562 |z 9789629964566 |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/24162/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2013 Asian and Pacific Studies | ||
| 945 | |a Project MUSE - 2013 Complete | ||