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Ascendant Peace in the Four Seas : Drama and the Qing Imperial Court /

Relying on materials uncovered by in the First Historical Archives in Beijing, the author investigates the development of imperial drama and its influence on Peking Opera, as well as the function and system of the Nanfu (later Shengpingshu)--an organization responsible for drama in the Qing dynasty....

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ye, Xiaoqing (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2013.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Ye, Xiaoqing,  |e author. 
245 1 0 |a Ascendant Peace in the Four Seas :   |b Drama and the Qing Imperial Court /   |c Ye Xiaoqing. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2013. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2013. 
300 |a 1 online resource (344 pages):   |b color illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages [273]-302) and indexes. 
505 0 |a Preface -- Introduction -- Imperial institutions for ceremonial and private performances -- Drama, occasion, and audience -- Performers in the palace -- Cultural and political control -- Peking Opera and the court -- Conclusion. Peking Opera and a new political focus -- Bibliography -- Index -- Index for operas and other works -- Index for general entries. 
506 |a Access restricted to authorized users and institutions. 
520 |a Relying on materials uncovered by in the First Historical Archives in Beijing, the author investigates the development of imperial drama and its influence on Peking Opera, as well as the function and system of the Nanfu (later Shengpingshu)--an organization responsible for drama in the Qing dynasty. Also discussed are the complex roles of the actors on and off stage, and the broader issues of cultural and political control intertwined with the performances themselves. The final section delves into the interaction between the palace and commercial theatres and how this contributed to the transformation of "low class" regional Peking Opera into an art form enjoyed by a wide swath of society. 
588 |a Description based on print version record. 
650 0 |a Politics and literature  |z China  |x History  |y 18th century. 
650 0 |a Theater  |x Political aspects  |z China  |x History  |y 19th century. 
650 0 |a Theater  |x Political aspects  |z China  |x History  |y 18th century. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9629964570  |z 9789629964573 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/24156/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2012 Literature Supplement II 
945 |a Project MUSE - 2012 Asian and Pacific Studies Supplement 
945 |a Project MUSE - 2012 Complete Supplement II