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Inconceivable Effects : Ethics through Twentieth-Century German Literature, Thought, and Film /

In Inconceivable Effects, Martin Blumenthal-Barby reads theoretical, literary and cinematic works that appear noteworthy for the ethical questions they raise. Via critical analysis of writers and filmmakers whose projects have changed our ways of viewing the modern world-including Hannah Arendt, Fra...

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Detalles Bibliográficos
Autor principal: Blumenthal-Barby, Martin (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca, N.Y. : Cornell University Library, 2013.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Inconceivable Effects :   |b Ethics through Twentieth-Century German Literature, Thought, and Film /   |c Martin Blumenthal-Barby. 
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490 0 |a Signale : modern German letters, cultures, and thought 
505 0 |a "The odium of doubtfulness" : or, the vicissitudes of Arendt's metaphorical thinking -- Why does Hannah Arendt lie? : or, the vicissitudes of imagination -- "A peculiar apparatus" : Kafka's thanatopoetics -- A strike of rhetoric : Benjamin's paradox of justice -- Pernicious bastardizations : Benjamin's ethics of pure violence -- The return of the human : Germany in autumn -- A politics of enmity : Müller's Germania death in Berlin. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a In Inconceivable Effects, Martin Blumenthal-Barby reads theoretical, literary and cinematic works that appear noteworthy for the ethical questions they raise. Via critical analysis of writers and filmmakers whose projects have changed our ways of viewing the modern world-including Hannah Arendt, Franz Kafka, Walter Benjamin, the directors of Germany in Autumn, and Heiner Mueller-these essays furnish a cultural base for contemporary discussions of totalitarian domination, lying and politics, the relation between law and body, the relation between law and justice, the question of violence, and our ways of conceptualizing "the human." A consideration of ethics is central to the book, but ethics in a general, philosophical sense is not the primary subject here; instead, Blumenthal-Barby suggests that whatever understanding of the ethical one has is always contingent upon a particular mode of presentation (Darstellung), on particular aesthetic qualities and features of media. Whatever there is to be said about ethics, it is always bound to certain forms of saying, certain ways of telling, certain modes of narration. That modes of presentation differ across genres and media goes without saying; that such differences are intimately linked with the question of the ethical emerges with heightened urgency in this book 
546 |a In English. 
588 |a Description based on print version record. 
650 7 |a German literature.  |2 fast  |0 (OCoLC)fst00941797 
650 7 |a Ethics in motion pictures.  |2 fast  |0 (OCoLC)fst01903155 
650 7 |a Ethics in literature.  |2 fast  |0 (OCoLC)fst00915860 
650 7 |a Ethics.  |2 fast  |0 (OCoLC)fst00915833 
650 7 |a LITERARY CRITICISM  |x European  |x German.  |2 bisacsh 
650 6 |a Morale au cinema. 
650 6 |a Morale dans la litterature. 
650 6 |a Morale  |z Allemagne  |x Histoire  |y 20e siecle. 
650 6 |a Litterature allemande  |y 20e siecle  |x Histoire et critique. 
650 0 |a Ethics in motion pictures. 
650 0 |a Ethics in literature. 
650 0 |a Ethics  |z Germany  |x History  |y 20th century. 
650 0 |a German literature  |y 20th century  |x History and criticism. 
651 7 |a Germany.  |2 fast  |0 (OCoLC)fst01210272 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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945 |a Project MUSE - Archive Literature Supplement II