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Narrative Discourse : Authors and Narrators in Literature, Film and Art /
"In Narrative Discourse: Authors and Narrators in Literature, Film, and Art, Patrick Colm Hogan reconsiders fundamental issues of authorship and narration in light of recent research in cognitive and affective science. He begins with a detailed overview of the components of narrative discourse,...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Columbus :
Ohio State University Press,
2013.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 121012s2013 ohu o 00 0 eng d | ||
| 020 | |a 9780814270097 | ||
| 020 | |z 0814212093 | ||
| 020 | |z 9780814212097 | ||
| 020 | |z 0814270093 | ||
| 035 | |a (OCoLC)867741157 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Hogan, Patrick Colm. | |
| 245 | 1 | 0 | |a Narrative Discourse : |b Authors and Narrators in Literature, Film and Art / |c Patrick Colm Hogan. |
| 264 | 1 | |a Columbus : |b Ohio State University Press, |c 2013. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©2013. | |
| 300 | |a 1 online resource (336 pages): |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Theory and interpretation of narrative | |
| 505 | 0 | 0 | |t Discourse analysis and narration -- |t Who is speaking to whom : the communicative discourse of narrative art -- |t Cross-textual implied painters and cinematic auteurs : Rabindranath Tagore's paintings and Bimal Roy's Madhumati -- |t Authors, implied and implicated : explaining Harriet Beecher Stowe's Uncle Tom's cabin and Kabir Khan's New York -- |t Narrative reliability : Margaret Atwood's Surfacing -- |t Varieties of multiple narration (I) : parallel narrators in William Faulkner's The sound and the fury and David Lynch's Mulholland Drive -- |t Varieties of multiple narration (II) : embedded narration, focalization, and collective voicing in Ngũgĩ wa Thiongʼo's Petals of blood and Born of the sun by Joseph Diescho (with Celeste Wallin) -- |t A note on implied readers and narratees : Mīrābāī's "Even if you break off, beloved, I would not." |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |a "In Narrative Discourse: Authors and Narrators in Literature, Film, and Art, Patrick Colm Hogan reconsiders fundamental issues of authorship and narration in light of recent research in cognitive and affective science. He begins with a detailed overview of the components of narrative discourse, both introducing and reworking key principles. Based on recent studies treating the complexity of human cognition, Hogan presents a new account of implied authorship that solves some notorious problems with that concept. In subsequent chapters Hogan takes the view that implied authorship is both less unified and more unified than is widely recognized. In connection with this notion, he examines how we can make interpretive sense of the inconsistencies of implied authors within works and the continuities of implied authors across works. Turning to narrators, he considers some general principles of readers' judgments about reliability, emphasizing the emotional element of trust. Following chapters take up the operation of complex forms of narration, including parallel narration, embedded narration, and collective voicing ("we" narration). In the afterword, Hogan sketches some subtleties at the other end of narrative communication, considering implied readers and narratees. In order to give greater scope to the analyses, Hogan develops case studies from painting and film as well as literature, treating art by Rabindranath Tagore; films by David Lynch, Bimal Roy, and Kabir Khan; and literary works by Mīrābāī, Harriet Beecher Stowe, Ernest Hemingway, William Faulkner, Margaret Atwood, Ngũgĩ wa Thiong'o, and Joseph Diescho." -- |c Publisher's description. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Philology & Linguistics. |2 hilcc | |
| 650 | 7 | |a Languages & Literatures. |2 hilcc | |
| 650 | 7 | |a Narration (Rhetoric) |2 fast |0 (OCoLC)fst01032927 | |
| 650 | 7 | |a Discourse analysis, Narrative. |2 fast |0 (OCoLC)fst00894947 | |
| 650 | 7 | |a Critical discourse analysis. |2 fast |0 (OCoLC)fst00883664 | |
| 650 | 6 | |a Discours narratif. | |
| 650 | 6 | |a Narration. | |
| 650 | 6 | |a Analyse critique du discours. | |
| 650 | 0 | |a Discourse analysis, Narrative. | |
| 650 | 0 | |a Narration (Rhetoric) | |
| 650 | 0 | |a Critical discourse analysis. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/23948/ |
| 945 | |a Project MUSE - 2013 Literature | ||
| 945 | |a Project MUSE - 2013 Complete | ||