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The Essential Sopranos Reader /

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Levinson, Paul, Howard, Douglas L., 1966-, Lavery, David, 1949-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington : University Press of Kentucky, 2011.
Colección:Essential readers in contemporary media and culture.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction
  • The Sopranos, David Chase, HBO, and television. The Sopranos as tipping point in the second coming of HBO / Gary R. Edgerton
  • From made men to Mad men: what Matthew Weiner learned from David Chase / David Lavery
  • The Sopranos: if nothing Is real, you have overpaid for your carpet / Martha P. Nochimson
  • Author(iz)ing Chase / Robin Nelson
  • Characters. "Half a wiseguy": Paulie Walnuts, meet Tom Stoppard / Paul Wright
  • Christopher, Osama, and A.J.: contemporary narcissism and terrorism in The Sopranos / Jason Jacobs
  • "When it comes to daughters, all bets are off": the seductive father-daughter relationship of Tony and Meadow Soprano / Marisa Carroll
  • Gendering The Sopranos. "Blabbermouth cunts", or, speaking in tongues: narrative crises for women in The Sopranos and feminist dilemmas / Kim Akass and Janet McCabe
  • Honoring the social compact: the last temptation of Melfi / Nancy McGuire Roche
  • A "finook" in the crew: Vito Spatafore, The Sopranos, and the queering of the Mafia genre / George De Stefano
  • Cinematic Concerns. The producers: the dangers of filmmaking in The Sopranos / Cameron Golden
  • Comfortably numb? The Sopranos, new brutalism, and the last temptation of Chris / Glen Creeber
  • dreams and therapy. fishes and football coaches: the narrative necessity of dreams in the sopranos / Cynthia Burkhead
  • From here to InFinnerty: Tony Soprano and the American Way / Terri Carney
  • "Whatever Happened to Stop and Smell the Roses?": The Sopranos as anti-therapeutic narrative / David Pattie
  • Ethnic and Social Concerns. Mangia Mafia! food, punishment, and cultural identity in The Sopranos / Michael M. Grynbaum
  • The guinea as tragic hero: the complex representation of Italian Americans in The Sopranos / Frank P. Tomasulo
  • "All Caucasians look alike": dreams of whiteness at the end of The Sopranos / Christopher Kocela
  • Images of justice and The Sopranos. Representations of law and justice in The Sopranos: an introduction / Barbara Villez
  • Lawyer-client relations as seen in The Sopranos / James M. Keneally
  • "This isn't a negotiation": "getting to yes" with Tony Soprano / Sharon Sutherland and Sarah Swan
  • The price of stereotype: the representation of the Mafia in Italy and the United States in The Sopranos / Antonio Ingroia
  • The image of justice in The Sopranos / Fabio Licata
  • Narrative and intertextuality. "Funny about God, and fate, and shit like that": the imminent unexpected in The Sopranos / Robert Piluso
  • The Sopranos and history / Albert Auster
  • Silence in The Sopranos / Steven Peacock
  • Cut to black: the finale and the Sopranos legacy. "What's different between you and me": Carmela, the audience, and the end / Joseph S. Walker
  • Unpredictable but inevitable: that last scene /
  • Maurice yacowar
  • no justice for all: the fbi, cut to black, and david chase's final hit / Douglas L. Howard
  • The Sopranos and the closure junkies / Paul Levinson.