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130930s2013 ilu o 00 0 eng d |
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|a 9780809332373
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|z 9780809332366
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|a (OCoLC)859155701
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|a MdBmJHUP
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|a O'Connor, Jacqueline.
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|a Documentary Trial Plays in Contemporary American Theater /
|c Jacqueline O'Connor.
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|a Carbondale :
|b Southern Illinois University Press,
|c [2013]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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|c ©[2013]
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|a 1 online resource (256 pages).
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|a text
|b txt
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Theater in the Americas
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|a Introduction : Legal representation -- Judicial identification : The trial of the Catonsville Nine and The Chicago conspiracy trial -- National investigation : Inquest and Are you now or have you ever been -- Ideological confrontation : Execution of justice and Greensboro (a requiem) -- Individual interrogation, communal resolution : unquestioned integrity : The Hill/Thomas hearings, Gross indecency : the three trials of Oscar Wilde, and The Laramie project -- Conclusion : Cultural legislation.
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|a This book chronicles the development of the documentary trial play in late-twentieth-century American theater. From the Chicago Conspiracy Trial and the O.J. Simpson trial to the Clarence Thomas/Anita Hill congressional hearings, legal and legislative proceedings in the latter part of the twentieth-century kept Americans spellbound. Situated on the shifting border between imagination and the law, trial plays edit, arrange, and reproduce court records, media coverage, and first-person interviews, transforming these elements into a performance. In this book-length critical study of contemporary American documentary theater, the author examines ten such plays, all written and staged since 1970, and considers the role of the genre in re-creating and revising narratives of significant conflicts in contemporary history. Documentary theater, she shows, is a particularly appropriate and widely utilized theatrical form for engaging in debate about tensions between civil rights and institutional power, the inconsistency of justice, and challenges to gender norms. For each of the plays discussed, including The Trial of the Catonsville Nine, Unquestioned Integrity : The Hill/Thomas Hearings, and The Laramie Project, the author provides historical context and a brief production history before considering the trial the play focuses on. Grouping plays historically and thematically, she demonstrates how dramatic representation advances our understanding of the law's power while revealing the complexities that hinder society's pursuit of justice. -- Provided by publisher.
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|a English.
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|a Description based on print version record.
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|a Dokumentartheater
|2 gnd
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|a Gerichtsverhandlung
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|a Recht
|2 gnd
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|a Drama
|2 gnd
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|a Trials in literature.
|2 fast
|0 (OCoLC)fst01156428
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650 |
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|a Theater
|x Production and direction.
|2 fast
|0 (OCoLC)fst01149278
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650 |
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|a Literature and history.
|2 fast
|0 (OCoLC)fst01000077
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650 |
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|a Historical drama, American.
|2 fast
|0 (OCoLC)fst00957916
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650 |
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|a DRAMA
|x American.
|2 bisacsh
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650 |
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|a PERFORMING ARTS
|x General.
|2 bisacsh
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|a PERFORMING ARTS
|x Theater
|x History & Criticism.
|2 bisacsh
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|a Proces dans la litterature.
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|a Litterature et histoire
|z États-Unis
|x Histoire
|y 20e siecle.
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650 |
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|a Theâtre
|x Production et mise en scene
|z États-Unis
|x Histoire
|y 20e siecle.
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|a Trials in literature.
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650 |
|
0 |
|a Literature and history
|z United States
|x History
|y 20th century.
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650 |
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|a Theater
|x Production and direction
|z United States
|x History
|y 20th century.
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650 |
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|a Historical drama, American
|x History and criticism.
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651 |
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7 |
|a USA.
|2 gnd
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|a United States.
|2 fast
|0 (OCoLC)fst01204155
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655 |
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/23645/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2013 Film, Theater and Performing Arts
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945 |
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|a Project MUSE - 2013 Complete
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