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Inheritance of Horses /

Guided by a storyteller's respect for common people and common feelings, Kilgo never prescribes or moralizes but rather brings us to places where principled choices can be made about what we need and value most in our lives.

Detalles Bibliográficos
Autor principal: Kilgo, James, 1941-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Athens : University of Georgia Press, 1994.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kilgo, James,  |d 1941- 
245 1 0 |a Inheritance of Horses /   |c James Kilgo. 
264 1 |a Athens :  |b University of Georgia Press,  |c 1994. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©1994. 
300 |a 1 online resource (160 pages). 
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505 0 |a Indian givers -- Mountain spirits -- Coming off the back of Brasstown Bald -- High blood -- Taken by storm -- Open house -- A gift from the bear -- According to Hemingway -- Inheritance of horses. 
520 8 |a Guided by a storyteller's respect for common people and common feelings, Kilgo never prescribes or moralizes but rather brings us to places where principled choices can be made about what we need and value most in our lives. 
520 8 |a The manner in which Kilgo makes such intensely personal concerns so broadly relevant accentuates what might be called the "told," rather than the "written" quality of Inheritance of Horses. He is foremost a storyteller, working in a style that is classically southern in its pacing and its feel for the land, but all his own in its restrained humor and lack of self-absorption 
520 8 |a As some of the more unhappy or unpleasant details of his grandfathers' lives come to light, they first heighten, then assuage, Kilgo's ambivalence about a family heritage built as much on myth as on truth. 
520 8 |a The long title essay composes the book's final section. Reading through a cache of letters exchanged between his two grandfathers, Kilgo recovers and revises his memories of them. What he learns of their open, passionate friendship reveals an essentially feminine aspect of their patriarchal natures, enriching, but also confusing, Kilgo's earlier understanding of who they were. 
520 8 |a Restlessness and responsibility converge and again clash in the second series of essays, in which domestic themes are explored in settings that range from Kilgo's own living room to Yellowstone Park and the deep waters off the Virgin Islands. Through such images as a hornet's nest, a gale-force storm, a grizzly bear, and a marlin, Kilgo gauges the strengths and vulnerabilities of his family and moves toward an existence that is part of, not apart from, the women in his life. 
520 8 |a Searching the woods for arrowheads, sitting around the dinner table at a hunting lodge, or careening down an abandoned logging road in a pickup, he seems ever-prone to the intrusions of domesticity and civilization: a sudden memory of miring the family station wagon in the sand on a beach trip, an encounter with a couple on their sixtieth wedding anniversary, a stream littered with trash and stocked with overbred hatchery trout. 
520 8 |a In the opening section, Kilgo focuses on the tension between his need for ritualistic male camaraderie and his familial obligations. 
520 |a Reconciliation and remembering are the forces at work in Inheritance of Horses. In these essays, James Kilgo seeks the common ground between his roles as a man, as husband and father, and as heir to his family legacy. Pausing at mid-life to make an eloquent, understated stand against our era's rootlessness, he honors friendship, kinship, nature, and tradition. 
546 |a English. 
588 |a Description based on print version record. 
600 1 7 |a Kilgo, James,  |d 1941-  |2 fast  |0 (OCoLC)fst00203420 
600 1 1 |a Kilgo, James,  |d 1941-  |x Homes and haunts  |z Georgia. 
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651 0 |a Georgia  |x Social life and customs. 
650 7 |a Outdoor life.  |2 fast  |0 (OCoLC)fst01049140 
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945 |a Project MUSE - Archive Complete Supplement II 
945 |a Project MUSE - Archive Poetry, Fiction and Creative Non-Fiction Supplement II