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Taking It to the Bridge : Music as Performance /

The overriding aim of this volume - whether the subject is vocal ornamentation in 19th-century opera or the collective improvisation of the Grateful Dead - is to give recognition to performance as the core of musical culture. This collection brings together renowned scholars from performance studies...

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Detalles Bibliográficos
Otros Autores: Pettengill, Richard (Editor ), Cook, Nicholas, 1950- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, [2013]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Taking It to the Bridge :   |b Music as Performance /   |c Nicholas Cook and Richard Pettengill, editors. 
264 1 |a Ann Arbor :  |b University of Michigan Press,  |c [2013] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©[2013] 
300 |a 1 online resource (398 pages). 
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505 0 |a Editors' Preface / Nicholas Cook and Richard Pettengill -- A Backward-Looking Foreword / Elisabeth Le Guin -- Introduction / Nicholas Cook and Richard Pettengill -- U2 3D : Concert Films and/as Live Performance / Susan Fast -- Performing Collective Improvisation : The Grateful Dead's "Dark Star" / Richard Pettegill -- Jazz Improvisation as a Social Arrangement / Philip Auslander -- Bridging the Unbridgeable? Empirical Musicology and Interdisciplinary Performance Studies / Nicholas Cook -- The Written and the Sung : Ornamenting Il barbiere di Siviglia / Philip Gossett -- Enacting the Revolution : Thalberg in 1848 / Dana Gooley -- Cutting Loose : Burying "The First Man of Jazz" / Joseph Roach -- Abbey Lincoln's Screaming Singing and the Sonic Liberatory Potential Thereafter / Aida Mbowa -- Got to Get Over the Hump : The Politics of Glam in the Work of Labelle and Parliament / Margaret F. Savilonis -- "Bring the Pain" : Post-Soul Memory, Neo-Soul Affect, and Lauryn Hill in the Black Public Sphere / Daphne A. Brooks -- Don't Stop 'til You Get Enough : Presence, Spectacle, and Good Feeling in Michael Jackson's This Is It / Jason King -- Carles Santos : "Music in the Theatre" / Maria M. Delgado -- Tchekisse : Neba Solo's Senufo Counterpoint in Action / Ingrid Monson -- Playing Games with Music (and Vice Versa) : Ludomusicological Perspectives on Guitar Hero and Rock Band / Roger Moseley -- Beyond Performance : Transmusicking in Cyberspace / David Borgo -- Afterword : Music as Performance : The Disciplinary Dilemma Revisited / Philip Auslander. 
520 |a The overriding aim of this volume - whether the subject is vocal ornamentation in 19th-century opera or the collective improvisation of the Grateful Dead - is to give recognition to performance as the core of musical culture. This collection brings together renowned scholars from performance studies and musicology with the intent of sparking a productive new dialogue on music as performance. The book provides an inventory of contrasted approaches to the study of performance and contributes to its developing centrality within music studies. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Music  |x Performance.  |2 fast  |0 (OCoLC)fst01030398 
650 7 |a PERFORMING ARTS  |x Theater  |x History & Criticism.  |2 bisacsh 
650 7 |a MUSIC  |x Instruction & Study  |x Techniques.  |2 bisacsh 
650 6 |a Musique  |x Execution. 
650 0 |a Music  |x Performance. 
655 7 |a Electronic books.   |2 local 
700 1 |a Pettengill, Richard,  |e editor. 
700 1 |a Cook, Nicholas,  |d 1950-  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/23553/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2013 Film, Theater and Performing Arts 
945 |a Project MUSE - 2013 Complete