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130219s2013 miu o 00 0 eng d |
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|z 2020707084
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|a 9780472029303
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|a (OCoLC)848902281
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|a MdBmJHUP
|c MdBmJHUP
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|a Taking It to the Bridge :
|b Music as Performance /
|c Nicholas Cook and Richard Pettengill, editors.
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|a Ann Arbor :
|b University of Michigan Press,
|c [2013]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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|c ©[2013]
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|a 1 online resource (398 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Editors' Preface / Nicholas Cook and Richard Pettengill -- A Backward-Looking Foreword / Elisabeth Le Guin -- Introduction / Nicholas Cook and Richard Pettengill -- U2 3D : Concert Films and/as Live Performance / Susan Fast -- Performing Collective Improvisation : The Grateful Dead's "Dark Star" / Richard Pettegill -- Jazz Improvisation as a Social Arrangement / Philip Auslander -- Bridging the Unbridgeable? Empirical Musicology and Interdisciplinary Performance Studies / Nicholas Cook -- The Written and the Sung : Ornamenting Il barbiere di Siviglia / Philip Gossett -- Enacting the Revolution : Thalberg in 1848 / Dana Gooley -- Cutting Loose : Burying "The First Man of Jazz" / Joseph Roach -- Abbey Lincoln's Screaming Singing and the Sonic Liberatory Potential Thereafter / Aida Mbowa -- Got to Get Over the Hump : The Politics of Glam in the Work of Labelle and Parliament / Margaret F. Savilonis -- "Bring the Pain" : Post-Soul Memory, Neo-Soul Affect, and Lauryn Hill in the Black Public Sphere / Daphne A. Brooks -- Don't Stop 'til You Get Enough : Presence, Spectacle, and Good Feeling in Michael Jackson's This Is It / Jason King -- Carles Santos : "Music in the Theatre" / Maria M. Delgado -- Tchekisse : Neba Solo's Senufo Counterpoint in Action / Ingrid Monson -- Playing Games with Music (and Vice Versa) : Ludomusicological Perspectives on Guitar Hero and Rock Band / Roger Moseley -- Beyond Performance : Transmusicking in Cyberspace / David Borgo -- Afterword : Music as Performance : The Disciplinary Dilemma Revisited / Philip Auslander.
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|a The overriding aim of this volume - whether the subject is vocal ornamentation in 19th-century opera or the collective improvisation of the Grateful Dead - is to give recognition to performance as the core of musical culture. This collection brings together renowned scholars from performance studies and musicology with the intent of sparking a productive new dialogue on music as performance. The book provides an inventory of contrasted approaches to the study of performance and contributes to its developing centrality within music studies.
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546 |
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|a English.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Music
|x Performance.
|2 fast
|0 (OCoLC)fst01030398
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650 |
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7 |
|a PERFORMING ARTS
|x Theater
|x History & Criticism.
|2 bisacsh
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650 |
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7 |
|a MUSIC
|x Instruction & Study
|x Techniques.
|2 bisacsh
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650 |
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|a Musique
|x Execution.
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650 |
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|a Music
|x Performance.
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655 |
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|a Electronic books.
|2 local
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|a Pettengill, Richard,
|e editor.
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|a Cook, Nicholas,
|d 1950-
|e editor.
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/23553/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2013 Film, Theater and Performing Arts
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945 |
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|a Project MUSE - 2013 Complete
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