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121106s2013 si o 00 0 eng d |
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|z 2012330756
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|a 9789814414463
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|z 9789814414456
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|a (OCoLC)850226844
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|a MdBmJHUP
|c MdBmJHUP
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|a Richter, Max M.
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|a Musical Worlds of Yogyakarta /
|c Max M. Richter.
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|a Singapore :
|b Institute of Southeast Asian Studies,
|c 2013.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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|c ©2013.
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|a 1 online resource (210 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Southeast Asia mediated.
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|a Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde ;
|v 281
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|a Table of Contents; Introduction: Approaching musical life in early post-Soeharto Yogyakarta; PART 1: Music and the street; Background; 1. Sosrowijayan and its street workers; 2. Musical forms and spaces; 3. Music groups; Conclusion; PART 2: Habitus and physicality; Background; 4. Detachment engagement; 5. Other worlds and sexualisation; Conclusion; PART 3: State power and musical cosmopolitanism; Background; 6. Regional Parliament; 7. Armed Forces; 8. Universities; Conclusion; Conclusion: Campursari and jalanan at the Sultan's Palace; Bibliography; Index.
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|a Musical worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta's regional parliament, its military institutions, universities and the Sultan's palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari ('mixed essences') and jalanan ('of the street'). Musical worlds addresses themes of social identity and power, counterpoising Pierre Bourdieu's theories on class, gender and nation with the author's alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturally diverse inner-city settings. Max M. Richter is director of the Monash Asia Institute and lecturer in Anthropology at Monash University, Australia. He has published in international journals and edited book collections, and has given presentations on Indonesian music and society in several countries and forums. His current research focuses on local-level music performance, intellectual/power-broker gatherings and centre/region identities in urban Indonesia.
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|a Description based on print version record.
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|a Music
|x Social aspects.
|2 fast
|0 (OCoLC)fst01030444
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650 |
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|a Music
|2 fast
|0 (OCoLC)fst01030269
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|a Manners and customs.
|2 fast
|0 (OCoLC)fst01007815
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650 |
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|a Musique
|x Aspect social
|z Indonesie
|z Jogjakarta.
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|a Musique
|z Indonesie
|z Jogjakarta.
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650 |
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|a Music
|x Social aspects
|z Indonesia
|z Yogyakarta.
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650 |
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|a Music
|z Indonesia
|z Yogyakarta.
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651 |
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7 |
|a Indonesia
|z Yogyakarta.
|2 fast
|0 (OCoLC)fst01206069
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651 |
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|a Yogyakarta (Indonesia)
|x Social life and customs.
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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|t ISEAS e-books.
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/23418/
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2013 Asian and Pacific Studies
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|a Project MUSE - 2013 Complete
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|a Project MUSE - 2013 Global Cultural Studies
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