Post-Theory : Reconstructing Film Studies /

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Bordwell and Carroll pose a simple question. Why not employ many theories tailored to specific goals, rather than searching for a unified theory that will explain all sorts of films, their production, and their reception? The scholars writing here use historical, philosophical, psychological, and fe...

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Detalles Bibliográficos
Otros Autores: Carroll, Noël, 1947-, Bordwell, David
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Madison : University of Wisconsin Press, 1996.
Colección:Book collections on Project MUSE.
Temas:
Cinema > Histoire et critique.
CINEMA (ASPECTOS PSICOLÓGICOS)
HISTÓRIA DO CINEMA.
ESTÉTICA DO CINEMA.
TEORIA DO CINEMA.
Theorievorming.
Filmkunst.
Motion pictures.
PERFORMING ARTS > Film & Video > Reference.
ART > Film & Video.
Cinema > Aspect psychologique.
Cinema > Histoire.
Cinema > Esthetique.
Cinema > Philosophie.
Motion pictures > History.
Motion pictures > Aesthetics.
Films.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Contemporary film studies and the vicissitudes of grand theory / David Bordwell
  • Prospects for film theory : a personal assessment / Noël Carroll
  • Psychoanalytic film theory and the problem of the missing spectator / Stephen Prince
  • Convention, construction, and cinematic vision / David Bordwell
  • Is a cognitive approach to the avant-garde cinema perverse? / James Peterson
  • The logic and legacy of Brechtianism / Murray Smith
  • Characterization and fictional truth in the cinema / Paisley Livingston
  • Empathy and (film) fiction / Alex Neill
  • Feminist frameworks for horror films / Cynthia A. Freeland
  • Apt feeling, or why "women's films" aren't trivial / Flo Leibowitz
  • Unheard melodies? A critique of psychoanalytic theories of film music / Jeff Smith
  • Film music and narrative agency / Jerrold Levinson
  • Nonfiction film and postmodernist skepticism / Noël Carroll
  • Moving pictures and the rhetoric of nonfiction film : two approaches / Carl Plantinga
  • Film, reality, and illusion / Gregory Currie
  • The case for an ecological metatheory / Joseph Anderson and Barbara Anderson
  • Movies in the mind's eye / Julian Hochberg and Virginia Brooks
  • Notes on audience response / Richard J. Gerrig and Deborah A. Prentice
  • Toward a new media economics / Douglas Gomery
  • Columbia Pictures : the making of a motion picture major, 1930-1943 / Tino Balio
  • "A brief romantic interlude" : Dick and Jane go to 3 1/2 seconds of the classical Hollywood cinema / Richard Malthy
  • The jazz singer's reception in the media and at the box office / Donald Crafton
  • Jameson and "global aesthetics" / Michael Walsh
  • Reconstructing Japanese film / Donald Kirihara
  • Danish cinema and the politics of recognition / Mette Hjort
  • Whose aparratus? Problems of film exhibitin and history / Vance Kepley, Jr.

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