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The Melancholy Assemblage : Affect and Epistemology in the English Renaissance
This book considers melancholy as an 'assemblage', as a network of dynamic, interpretive relationships between persons, bodies, texts, spaces, structures, and things. In doing so, it parts ways with past interpretations of melancholy. Tilting the English Renaissance against the present mom...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bronx :
Fordham University Press,
2013.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Daniel, Drew. | |
| 245 | 1 | 0 | |a The Melancholy Assemblage : |b Affect and Epistemology in the English Renaissance |
| 264 | 1 | |a Bronx : |b Fordham University Press, |c 2013. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©2013. | |
| 300 | |a 1 online resource (328 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Contents -- Illustrations -- Ac know ledg ments -- Introduction -- 1. From DÃ?rerâ€?s Angel to Harlowâ€?s Monkey -- Hanging the Head -- Melancholy and/as Posture from DÃ?rer to Oliver -- Walter Benjamin on the â€oeIdeaâ€? as Confi guration -- The Shield as Impresa of Physical Vulnerability -- A Pose Is a Pose Is a Pose -- 2. Three Hundred Years Out of Fashion -- Aff ect and Aff ectation -- Don Adriano de Armado, Walter Benjamin, and the Dialectical Theater of Melancholy Fashion -- Biron, Sigmund Freud, and Melancholy Wit | |
| 505 | 0 | |a €oeYou That Way. We This Way.â€?: Melancholy Transmission from Male Minds to Female Bodies3. Let Me Have Judgment, and the Jew His Will -- Weariness and Wariness -- The â€oeStanding Poolâ€? of Melancholy -- Antonio as the Subject of Masochistic Fantasy -- Sacrifi ce, Subjection, and the Melancholy Pound of Flesh -- 4. That Within Which Passes Show -- Mourning, Melancholy/Melancholia, and â€oethe Hamlet mysteryâ€? -- â€oeLess than kin and more than kindâ€?: Hamletâ€?s Melancholic Aside -- Seeing Things and Hearing Voices: Epistemology, Spectatorship, Audition | |
| 505 | 0 | |a €oeAudience to this Actâ€?: Assembling the Witnesses5. Rhapsodies of Rags -- A Melancholy Stereoscope -- Burton Criticism as Melancholy Ruin -- Assemblage as Argument: Burton on the â€oeInward Causesâ€? of Melancholy -- Digression as Argument: Benjamin on the â€oeMosaicâ€? of Melancholy -- 6. My Self, My Sepulcher -- â€oeHumours Blackâ€?: Samson as Melancholic -- â€oeO blot to honor and religionâ€?: Masculinity and Eff eminacy -- â€oeChoosing Death as Dueâ€?: Samson as Masochist -- Pathology and/or Redemption | |
| 505 | 0 | |a €oeRousing Motions�: Aristotle, Galen, and the Materiality of EmotionAll Passion Spent? -- Epilogue Disassembling Melancholy -- Notes -- Bibliography -- Index | |
| 520 | 8 | |a This book considers melancholy as an 'assemblage', as a network of dynamic, interpretive relationships between persons, bodies, texts, spaces, structures, and things. In doing so, it parts ways with past interpretations of melancholy. Tilting the English Renaissance against the present moment, the book argues that the basic disciplinary tension between medicine and philosophy persists within contemporary debates about emotional embodiment. To make this case, the book binds together the paintings of Nicholas Hilliard and Isaac Oliver, the drama of William Shakespeare, the prose of Robert Burton, and the poetry of John Milton. | |
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Affect (Psychology) in literature. |2 fast |0 (OCoLC)fst01902304 | |
| 650 | 7 | |a Art and literature. |2 fast |0 (OCoLC)fst00815400 | |
| 650 | 7 | |a Knowledge, Theory of, in literature. |2 fast |0 (OCoLC)fst00988217 | |
| 650 | 7 | |a Literature and science. |2 fast |0 (OCoLC)fst01000093 | |
| 650 | 7 | |a Renaissance. |2 fast |0 (OCoLC)fst01094518 | |
| 650 | 7 | |a Science in literature. |2 fast |0 (OCoLC)fst01108731 | |
| 650 | 7 | |a Science |x Philosophy. |2 fast |0 (OCoLC)fst01108336 | |
| 650 | 7 | |a LITERARY CRITICISM / General. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM / Shakespeare. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 6 | |a Sciences dans la litterature. | |
| 650 | 6 | |a Renaissance |z Angleterre. | |
| 650 | 6 | |a Litterature et sciences |z Grande-Bretagne |x Histoire. | |
| 650 | 6 | |a Theorie de la connaissance dans la litterature. | |
| 650 | 6 | |a Art et litterature |z Grande-Bretagne |x Histoire. | |
| 650 | 0 | |a Science |x Philosophy. | |
| 650 | 0 | |a Science in literature. | |
| 650 | 0 | |a Renaissance |z England. | |
| 650 | 0 | |a Literature and science |z Great Britain |x History. | |
| 650 | 0 | |a Knowledge, Theory of, in literature. | |
| 650 | 0 | |a English literature |y Early modern, 1500-1700 |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a Art and literature |z Great Britain |x History. | |
| 650 | 0 | |a Affect (Psychology) in literature. | |
| 651 | 7 | |a England. |2 fast |0 (OCoLC)fst01219920 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/23037/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2013 Literature | ||
| 945 | |a Project MUSE - 2013 Complete | ||