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On the Sleeve of the Visual : Race as Face Value /
In this work of critical theory, Black studies, and visual culture studies, the author reads race as a theory of the image. By placing emphasis on the surface of the visual as the repository of its meaning, race presents the most enduring ontological approach to what images are, how they feel, and w...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hanover, New Hampshire :
Dartmouth,
[2013]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 008 | 130510t20132013nhu o 00 0 eng d | ||
| 010 | |z 2012042090 | ||
| 020 | |a 9781611684490 | ||
| 020 | |z 1611684498 | ||
| 020 | |z 9781584659754 | ||
| 035 | |a (OCoLC)842881842 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Raengo, Alessandra, |e author. | |
| 245 | 1 | 0 | |a On the Sleeve of the Visual : |b Race as Face Value / |c Alessandra Raengo. |
| 264 | 1 | |a Hanover, New Hampshire : |b Dartmouth, |c [2013] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©[2013] | |
| 300 | |a 1 online resource (240 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Interfaces: studies in visual culture | |
| 505 | 0 | |a The photochemical imagination -- On the sleeve of the visual -- The money of the real -- The long photographic century -- Conclusion : in the shadow. | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |a In this work of critical theory, Black studies, and visual culture studies, the author reads race as a theory of the image. By placing emphasis on the surface of the visual as the repository of its meaning, race presents the most enduring ontological approach to what images are, how they feel, and what they mean. Having established her theoretical concerns, the author's eclectic readings of various artifacts of visual culture, fine arts, cinema, and rhetorical tropes provoke and destabilize readers' visual comfort zone, forcing them to recognize the unstated racial aspects of viewing and the foundational role of race in informing the visual. -- Back cover. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Visual sociology. |2 fast |0 (OCoLC)fst01168118 | |
| 650 | 7 | |a Image (Philosophy) |2 fast |0 (OCoLC)fst00967475 | |
| 650 | 7 | |a Black people in mass media. |2 fast |0 (OCoLC)fst00834026 | |
| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x African American Studies. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Black Studies (Global) |2 bisacsh | |
| 650 | 6 | |a Image (Philosophie) | |
| 650 | 6 | |a Sociologie visuelle. | |
| 650 | 6 | |a Personnes noires dans les medias. | |
| 650 | 0 | |a Image (Philosophy) | |
| 650 | 0 | |a Visual sociology. | |
| 650 | 0 | |a Black people in mass media. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/22955/ |
| 945 | |a Project MUSE - 2013 Complete | ||
| 945 | |a Project MUSE - 2013 Global Cultural Studies | ||