The Radical Fiction of Ann Petry /
This study offers an analysis of the works of Ann Petry (1908-1997), a major mid-twentieth-century African American author. Primarily known as the sole female member of the "Wright School of Social Protest," Petry has been most recognized for her 1946 novel The Street, about a woman's...
Autor principal: | |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Baton Rouge :
Louisiana State University Press,
[2013]
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction : The "literary bones" of Ann Petry : excavating and re-situating a reluctant icon
- From gangsta to gothic : Ann Petry's unbounded aesthetic universe
- Black boys, hoods, and wannabes : images of imperiled Black manhood in The Narrows
- Masculine angst revisited : the anguished Black men of "Like a winding sheet," "Has anybody seen Miss Dora Dean?" and "Miss Muriel"
- "Oppositional gothic" : the street and Ann Petry's place in the literature of terror
- Haunting/haunted B(l)ack : tormented and tormenting souls in "The bones of Louella Brown" and "The witness"
- "Entombed while still alive" : images of domestic terror and monstrousness in Country Place
- "A queer mixture of violence and love and hate and terror" : (wannabe) gangsta, gothic, and grotesquerie in "In darkness and confusion"
- Conclusion : from the 1960s to the 2000s and beyond : Ann Petry's prescient vision.