Gender and Jewish Difference from Paul to Shakespeare /

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Although representations of medieval Christians and Christianity are rarely subject to the same scholarly scrutiny as those of Jews and Judaism, "the Christian" is as constructed a term, category, and identity as "the Jew." Medieval Christian authors created complex notions of Ch...

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Detalles Bibliográficos
Autor principal: Lampert-Weissig, Lisa (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, 2004.
Colección:Book collections on Project MUSE.
Temas:
Paul, > the Apostle, Saint.
Shakespeare, William, > 1564-1616. > Merchant of Venice.
Paul, > the Apostle, Saint > Relations with Jews.
Chaucer, Geoffrey, > d. 1400. > Prioress's tale.
Chaucer, Geoffrey, > -1400. > Prioress's tale.
Prioress's tale (Chaucer, Geoffrey)
Merchant of Venice (Shakespeare, William)
Sex role in literature.
Religion in literature.
Relations with Jews.
Jews in literature.
English literature > Middle English.
English drama.
Difference (Psychology) in literature.
Christian drama, English.
HISTORY > Jewish.
Religion dans la litterature.
Rôle selon le sexe dans la litterature.
Theâtre anglais > Jusqu'à 1500 > Histoire et critique.
Juifs dans la litterature.
Litterature anglaise > 1100-1500 (Moyen anglais) > Histoire et critique.
English drama > To 1500 > History and criticism.
Christian drama, English > England > East Anglia > History and criticism.
English literature > Middle English, 1100-1500 > History and criticism.
England > East Anglia.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Title
  • Copyright
  • Contents
  • 1 INTRODUCTION: MADE, NOT BORN
  • 2 THE HERMENEUTICS OF DIFFERENCE
  • 3 REPRIORITIZING THE PRIORESS'S TALE
  • 4 CREATING THE CHRISTIAN IN LATE MEDIEVAL EAST ANGLIAN DRAMA
  • 5 ""O WHAT A GOODLY OUTSIDE FALSEHOOD HATH!"" EXEGESIS AND IDENTITY IN THE MERCHANT OF VENICE
  • CONCLUSION
  • LIST OF ABBREVIATIONS
  • NOTES
  • BIBLIOGRAPHY
  • INDEX
  • ACKNOWLEDGMENTS.

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