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Under the Shadow : The Atomic Bomb and Cold War Narratives /

In Pat Frank's 1959 novel Alas, Babylon, the character Helen says of her children: "All their lives, ever since they've known anything, they've lived under the shadow of war--atomic war. For them the abnormal has become normal." The threat of nuclear annihilation was a const...

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Detalles Bibliográficos
Autor principal: Seed, David (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Kent, Ohio : The Kent State University Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a The atom -- from H.G. Wells to Leo Szilard -- The dawn of the atomic age -- the bomb and Hiroshima -- The debate over nuclear refuge -- Do-it-yourself survival -- Philip Wylie on the state of the nation -- Cultural cycles in Walter M. Miller's A canticle for Leibowitz -- The pathology of warfare in Bernard Wolfe's Limbo -- Push-button holocaust in Mordecai Roshwald's Level 7 -- Whales, submarines, and the Bedford incident -- Nuclear safety procedures in Fail-safe -- Uncovering the death wish in Dr. Strangelove -- Mapping the postnuclear landscape -- Future reportage on World War III -- Beyond the Cold War. 
520 |a In Pat Frank's 1959 novel Alas, Babylon, the character Helen says of her children: "All their lives, ever since they've known anything, they've lived under the shadow of war--atomic war. For them the abnormal has become normal." The threat of nuclear annihilation was a constant source of dread during the Cold War, and in Under the Shadow, author David Seed examines how authors and filmmakers made repeated efforts in their work to imagine the unimaginable. Seed discusses classics of the period like Nevil Shute's On the Beach, but he also argues for recognition of less-known works such as Walter M. Miller's depiction of historical cycles in A Canticle for Leibowitz, Bernard Wolfe's black comedy of aggression in Limbo, or Mordecai Roshwald's satirical depiction of technology running out of human control in Level 7. Seed relates these literary works to their historical contexts and to their adaptations in film. Two prime examples of this interaction between media are the motion pictures Fail-Safe and Dr. Strangelove, which dramatize the threat posed by the arms race to rationality and ultimate human survival. Seed addresses the attempts made by characters to remap America as a central part of their efforts to understand the horrors of the war. A particular subset of future histories is also examined: accounts of a Third World War, which draw on the conventions of military history and reportage to depict probable war scenarios. Under the Shadow concludes with a discussion of the recent fiction of nuclear terrorism. 
588 |a Description based on print version record. 
650 7 |a Cold War (1945-1989) in motion pictures.  |2 fast  |0 (OCoLC)fst00866989 
650 7 |a Cold War (1945-1989) in literature.  |2 fast  |0 (OCoLC)fst00866988 
650 7 |a Atomic bomb in literature.  |2 fast  |0 (OCoLC)fst00820592 
650 7 |a American fiction.  |2 fast  |0 (OCoLC)fst00807048 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 6 |a Roman americain  |y 20e siecle  |x Histoire et critique. 
650 6 |a Guerre froide dans la litterature. 
650 6 |a Bombe atomique dans la litterature. 
650 6 |a Guerre froide au cinema. 
650 0 |a American fiction  |y 20th century  |x History and criticism. 
650 0 |a Cold War in literature. 
650 0 |a Atomic bomb in literature. 
650 0 |a Cold War in motion pictures. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
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945 |a Project MUSE - 2013 Literature 
945 |a Project MUSE - 2013 Complete