|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_22486 |
003 |
MdBmJHUP |
005 |
20230905042408.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
090922s2010 alu o 00 0 eng d |
020 |
|
|
|a 9781573668170
|
020 |
|
|
|z 9781573661553
|
035 |
|
|
|a (OCoLC)680620798
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
100 |
1 |
|
|a Stephenson, Rob,
|d 1967-
|
245 |
1 |
0 |
|a Passes Through /
|c Rob Stephenson ; introduction by Lance Olsen.
|
264 |
|
1 |
|a Tuscaloosa :
|b FC2,
|c 2010.
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2014
|
264 |
|
4 |
|c ©2010.
|
300 |
|
|
|a 1 online resource (207 pages).
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
505 |
0 |
|
|a Dyad; One; One; Ja, Mehr: La Mer; Etceteras or An Epitome of Ruins; Acknowledgements
|
520 |
|
|
|a A fictional meditation on time and experience-part journal, part meditation, part dreamscape In language that is frank and uncompromising, Rob Stephenson's debut novel, Passes Through, moves forward in a rare and daring manner. Part journal, part meditation on aesthetics, part dreamscape, Passes Through investigates experience, identity, beauty, and sexuality, while provocatively complicating such distinctions as writing versus revision and imagination versus observation. It is a narrative of and about language, a narrative of and abou.
|
588 |
|
|
|a Description based on print version record.
|
650 |
|
7 |
|a Aesthetics.
|2 fast
|0 (OCoLC)fst00798702
|
650 |
|
7 |
|a FICTION
|x General.
|2 bisacsh
|
650 |
|
0 |
|a Aesthetics
|v Fiction.
|
655 |
|
7 |
|a Fiction.
|2 fast
|0 (OCoLC)fst01423787
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/22486/
|
945 |
|
|
|a Project MUSE - Custom Collection
|
945 |
|
|
|a Project MUSE - Archive Complete Supplement II
|
945 |
|
|
|a Project MUSE - Archive Poetry, Fiction and Creative Non-Fiction Supplement II
|