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Todd Haynes /
Todd Haynes's films are intricate and purposeful, combining the intellectual impact of art cinema with the emotional accessibility of popular genres. They are also underpinned by a serious commitment to feminism and queer theory. From his 1985 student film about Arthur Rimbaud to his shapeshift...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
[2013]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a White, Rob, |d 1970- |e author. | |
| 245 | 1 | 0 | |a Todd Haynes / |c Rob White. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2013] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©[2013] | |
| 300 | |a 1 online resource (192 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Contemporary film directors | |
| 505 | 0 | |a The misery the world is made of : the cinema of Todd Haynes -- Prologue -- Superstar : The Karen Carpenter story -- Poison -- Dottie gets spanked -- Safe -- Velvet goldmine -- Far from heaven -- I'm not there -- Mildred Pierce -- Epilogue -- Interview with Todd Haynes. | |
| 520 | |a Todd Haynes's films are intricate and purposeful, combining the intellectual impact of art cinema with the emotional accessibility of popular genres. They are also underpinned by a serious commitment to feminism and queer theory. From his 1985 student film about Arthur Rimbaud to his shapeshifting portrait of Bob Dylan in I'm Not There (2007) and the HBO miniseries Mildred Pierce (2011), Haynes has made films whose complex weaving of stories and characters reveals dark, painful intensities. His taste for narrative experimentation and pastiche is haunted by anguish. This book, which includes a major new interview with Haynes, is a comprehensive study of the director's work. Special attention is paid to the fascination with music culture (from the Carpenters to glam rock) and to the rich pattern of allusions to, or affinity with, predecessor filmmakers (Fassbinder, Ophuls, Sirk, and many more). But the author's chief concern is the persistence of a queer impulse to explore social coercion and the possibility that there may be some way of escaping its cruelty. -- Publisher's website. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Haynes, Todd |d 1961- |2 gnd |
| 600 | 1 | 7 | |a Haynes, Todd. |2 fast |0 (OCoLC)fst00391585 |
| 600 | 1 | 0 | |a Haynes, Todd |x Criticism and interpretation. |
| 650 | 7 | |a Film. |2 hilcc | |
| 650 | 7 | |a Music, Dance, Drama & Film. |2 hilcc | |
| 650 | 4 | |a Haynes, Todd - Criticism and interpretation. | |
| 650 | 7 | |a Film. |2 gnd | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/21794/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2013 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2013 Complete | ||