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Experimental Latin American Cinema : History and Aesthetics /

This exploration of experimental Latin American film applies Deleuzian theories of cinema in a comparative approach to examine multiple genres and works from the most important national cinematic traditions.

Detalles Bibliográficos
Autor principal: Tompkins, Cynthia, 1958-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2013.
Edición:First edition.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Tompkins, Cynthia,  |d 1958- 
245 1 0 |a Experimental Latin American Cinema :   |b History and Aesthetics /   |c by Cynthia Tompkins. 
250 |a First edition. 
264 1 |a Austin :  |b University of Texas Press,  |c 2013. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©2013. 
300 |a 1 online resource (306 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Introduction : Mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture : Fabián Bielinsky's epileptic El aura ; Slippery criminal pleasures : intermediality and voyeurism in Jorge Furtado's O homem que copiava ; Endless quest : chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary : Walter Salles's Central do Brasil ; Twin piques : the double discourse of Carlos Sorín's El camino de San Diego ; Orphans' solidarity : María Victoria Menis's El cielito -- Drama. Sculpting time : Inês de Oliveira Cezar's Como pasan las horas ; The past engulfs the present : Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life : Carlos Reygadas's Japón ; Crime and self-inflicted punishment : Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society : Carlos Reygadas's Stellet licht ; Cyclical scapegoating : Inês de Oliveira Cezar's Extranjera ; The irrevocable nature of curses : Inês de Oliveira Cezar's El recuento de Los daños ; Splintered mirrors, echoes, and reverberations : Fernando Perez Valdes's Madrigal -- Experimental pseudo-documentary. Room with a view : Fernando Perez Valdes's Suite Habana ; Life is and is not : Paz Encina's Hamaca Paraguaya -- Conclusion : possible futures. 
520 |a This exploration of experimental Latin American film applies Deleuzian theories of cinema in a comparative approach to examine multiple genres and works from the most important national cinematic traditions. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Experimental films.  |2 fast  |0 (OCoLC)fst00918452 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
650 7 |a ART  |x Film & Video.  |2 bisacsh 
650 0 |a Experimental films  |z Latin America  |x History and criticism. 
651 7 |a Latin America.  |2 fast  |0 (OCoLC)fst01245945 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/21746/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2013 Film, Theater and Performing Arts 
945 |a Project MUSE - 2013 Latin American and Caribbean Studies 
945 |a Project MUSE - 2013 Complete