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130218s2013 txu o 00 0 eng d |
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|a 9780292744165
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|z 9780292744158
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|z 0292744161
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|z 0292744153
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|a (OCoLC)827944895
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|a MdBmJHUP
|c MdBmJHUP
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|a Tompkins, Cynthia,
|d 1958-
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|a Experimental Latin American Cinema :
|b History and Aesthetics /
|c by Cynthia Tompkins.
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|a First edition.
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|a Austin :
|b University of Texas Press,
|c 2013.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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|c ©2013.
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|a 1 online resource (306 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Introduction : Mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture : Fabián Bielinsky's epileptic El aura ; Slippery criminal pleasures : intermediality and voyeurism in Jorge Furtado's O homem que copiava ; Endless quest : chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary : Walter Salles's Central do Brasil ; Twin piques : the double discourse of Carlos Sorín's El camino de San Diego ; Orphans' solidarity : María Victoria Menis's El cielito -- Drama. Sculpting time : Inês de Oliveira Cezar's Como pasan las horas ; The past engulfs the present : Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life : Carlos Reygadas's Japón ; Crime and self-inflicted punishment : Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society : Carlos Reygadas's Stellet licht ; Cyclical scapegoating : Inês de Oliveira Cezar's Extranjera ; The irrevocable nature of curses : Inês de Oliveira Cezar's El recuento de Los daños ; Splintered mirrors, echoes, and reverberations : Fernando Perez Valdes's Madrigal -- Experimental pseudo-documentary. Room with a view : Fernando Perez Valdes's Suite Habana ; Life is and is not : Paz Encina's Hamaca Paraguaya -- Conclusion : possible futures.
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|a This exploration of experimental Latin American film applies Deleuzian theories of cinema in a comparative approach to examine multiple genres and works from the most important national cinematic traditions.
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|a English.
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|a Description based on print version record.
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650 |
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7 |
|a Experimental films.
|2 fast
|0 (OCoLC)fst00918452
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650 |
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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650 |
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7 |
|a PERFORMING ARTS
|x Film & Video
|x Reference.
|2 bisacsh
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650 |
|
7 |
|a ART
|x Film & Video.
|2 bisacsh
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650 |
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|a Experimental films
|z Latin America
|x History and criticism.
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651 |
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7 |
|a Latin America.
|2 fast
|0 (OCoLC)fst01245945
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/21746/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2013 Film, Theater and Performing Arts
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945 |
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|a Project MUSE - 2013 Latin American and Caribbean Studies
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945 |
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|a Project MUSE - 2013 Complete
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