Tabla de Contenidos:
  • Introduction / Carol Apollonio and Angela Brintlinger
  • Space. The spaces between the places: Chekhov's "Without a title" and the art of being (out) there / Cathy Popkin
  • Chekhov's The duel, or how to colonize responsibly / Edyta Bojanowska
  • Circuses and cemeteries: chekhovian topoi / Vladimir Kataev
  • Time. Being as event, or the drama of Dasein: Chekhov's The three sisters / Svetlana Evdokimova
  • Classical ideas of fate in Chekhov's dramaturgy / Anatoly Sobennikov
  • The death of the hero in Chekhov's world / Igor Sukhikh
  • Nabokov's debt to Chekhov's art of memory / Jerome Katsell
  • Person. Of interpretation and stolen kisses: from poetics to metapoetics in Chekhov's "The kiss" / Michael Finke
  • Reading Chekhov through Meyerhold's eyes / Galina Rylkova
  • The marriage of Figaro, the marriage of Lopakhin: The hero's revolt / Anna Muza
  • Cultural kenosis in Chekhov's "The wife" / Nina Wieda
  • Word. "Put yourself in the place of a corncrake": Chekhov's poetics of reconciliation / Radislav Lapushin
  • The psychology of Chekhov's creative method and generative poetics / Andrei Stepanov
  • Chekhov's style in light of general systems thinking: The Steppe as a positional masterpiece / Vera Zubarev
  • Transpositions. The Cherry orchard in the twenty-first century: new adaptations and versions / Ronald Meyer
  • Sisters as a case study for "making foreign theater or making theater foreign" / Cynthia Marsh
  • Gained in translation: Chekhov's "Lady" / Carol Apollonio
  • Uncle Vanya: life in time (reception and interpretation) / Margarita Odesskaya
  • Chekhov in the Jerome Lawrence and Robert E. Lee Theatre Research Institute / Nena Couch
  • "A cigar in the fresh air": Chekhov's Yasha lives! / Angela Brintlinger
  • Remixing Chekhov / Sasha Waters Freyer.