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Euro Horror : Classic European Horror Cinema in Contemporary American Culture /

Beginning in the 1950s, "Euro Horror" movies materialized in astonishing numbers from Italy, Spain, and France and popped up in the US at rural drive-ins and urban grindhouse theaters such as those that once dotted New York's Times Square. Gorier, sexier, and stranger than most Americ...

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Detalles Bibliográficos
Autor principal: Olney, Ian (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, [2013]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Olney, Ian,  |e author. 
245 1 0 |a Euro Horror :   |b Classic European Horror Cinema in Contemporary American Culture /   |c Ian Olney. 
264 1 |a Bloomington :  |b Indiana University Press,  |c [2013] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©[2013] 
300 |a 1 online resource (280 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a New Directions in National Cinemas 
505 0 |a Toward a performative theory of Euro horror cinema. Academic hot spots and blind spots : horror film studies and Euro horror cinema ; Fast, cheap, and out of control : the academic case against Euro horror cinema ; Playing dead, take one : Euro horror film production ; Playing dead, take two : Euro horror film reception ; Return of the repressed : Euro horror cinema in contemporary American culture -- Case studies in Euro horror cinema. Blood and black lace : the Giallo film ; The whip and the body : the S & M horror film ; Cannibal apocalypse : cannibal and zombie films -- Conclusion : from the grindhouse to the arthouse : the legacy of Euro horror cinema. 
520 |a Beginning in the 1950s, "Euro Horror" movies materialized in astonishing numbers from Italy, Spain, and France and popped up in the US at rural drive-ins and urban grindhouse theaters such as those that once dotted New York's Times Square. Gorier, sexier, and stranger than most American horror films of the time, they were embraced by hardcore fans and denounced by critics as the worst kind of cinematic trash. In this volume, the author explores some of the most popular genres of Euro Horror cinema - including giallo films, named for the yellow covers of Italian pulp fiction, the S & M horror film, and cannibal and zombie films - and develops a theory that explains their renewed appeal to audiences. 
588 |a Description based on print version record. 
650 7 |a Horrorfilm  |2 gnd 
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650 7 |a Motion picture audiences.  |2 fast  |0 (OCoLC)fst01027116 
650 7 |a Horror films.  |2 fast  |0 (OCoLC)fst00960370 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
650 7 |a ART  |x Film & Video.  |2 bisacsh 
650 6 |a Cinema  |x Publics  |z États-Unis. 
650 6 |a Films d'horreur  |z Europe  |x Histoire et critique. 
650 0 |a Motion picture audiences  |z United States. 
650 0 |a Horror films  |z Europe  |x History and criticism. 
651 7 |a USA  |2 gnd 
651 7 |a Europa  |2 gnd 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
651 7 |a Europe.  |2 fast  |0 (OCoLC)fst01245064 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
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945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2013 Film, Theater and Performing Arts 
945 |a Project MUSE - 2013 Complete