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130220s2013 nyu o 00 0 eng d |
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|a 9780815652007
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|z 9780815610083
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|a (OCoLC)828140155
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Littleton, Cynthia.
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245 |
1 |
0 |
|a TV on Strike :
|b Why Hollywood Went to War over the Internet /
|c Cynthia Littleton.
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250 |
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|a First edition.
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264 |
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1 |
|a Syracuse, New York :
|b Syracuse University Press,
|c 2013.
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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264 |
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4 |
|c ©2013.
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300 |
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|a 1 online resource (288 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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490 |
0 |
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|a Television and popular culture
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505 |
0 |
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|a Fear of the unknown -- Path to the picket line -- Sowing the seeds -- Brinksmanship across the table -- United showrunners -- Angst in the executive suite -- Rallies, retrenchment, and late-night returns -- Cue the directors -- Deal or no deal? -- The finish line -- The bloodletting -- Epilogue.
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520 |
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|a This book examines the 2007 upheaval in the entertainment industry by telling the inside story of the hundred-day writers' strike that crippled Hollywood. The television industry's uneasy transition to the digital age was the driving force behind the most significant labor dispute of the early twenty-first century. The strike put a spotlight on how the advent of new-media distribution platforms is reshaping the traditional business models that have governed the entertainment business for decades. The uncertainty that sent writers out into the streets of Los Angeles and New York with picket signs laid bare the depth of the divide, after years of industry consolidation, between the handful of media barons who rule Hollywood and the writers whose works support the industry. With both sides afraid of losing millions in future profits, a critical communication breakdown spurred a brief but fierce fight with lasting repercussions. The saga of the Writers Guild of America strike is told here as seen through the eyes of key players on both sides of the negotiating table and of the foot soldiers who shocked even themselves with the strength of their resolve to fight for their rights in the face of an ambiguous future.--description from publisher's website.
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588 |
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|a Description based on print version record.
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650 |
|
7 |
|a Television programs
|x Social aspects.
|2 fast
|0 (OCoLC)fst01147057
|
650 |
|
7 |
|a Television programs
|x Economic aspects.
|2 fast
|0 (OCoLC)fst01147031
|
650 |
|
7 |
|a Strikes and lockouts
|x Television broadcasting.
|2 fast
|0 (OCoLC)fst01904810
|
650 |
|
7 |
|a PERFORMING ARTS
|x Television
|x History & Criticism.
|2 bisacsh
|
650 |
|
7 |
|a BIOGRAPHY & AUTOBIOGRAPHY
|x Literary.
|2 bisacsh
|
650 |
|
6 |
|a Medias numeriques
|x Influence.
|
650 |
|
6 |
|a Émissions televisees
|x Aspect social
|z États-Unis.
|
650 |
|
6 |
|a Émissions televisees
|x Aspect economique
|z États-Unis.
|
650 |
|
6 |
|a Auteurs de television
|z États-Unis
|x Traitements, indemnites, etc.
|x Histoire
|y 21e siecle.
|
650 |
|
6 |
|a Greves et lock-out
|x Television
|z États-Unis
|x Histoire
|y 21e siecle.
|
650 |
|
6 |
|a Greve de la Writers Guild of America, Calif., 2007-2008.
|
650 |
|
0 |
|a Digital media
|x Influence.
|
650 |
|
0 |
|a Television programs
|x Social aspects
|z United States.
|
650 |
|
0 |
|a Television programs
|x Economic aspects
|z United States.
|
650 |
|
0 |
|a Television writers
|x Salaries, etc.
|z United States
|x History
|y 21st century.
|
650 |
|
0 |
|a Strikes and lockouts
|x Television broadcasting
|z United States
|x History
|y 21st century.
|
650 |
|
0 |
|a Writers Guild of America Strike, Calif., 2007-2008.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
651 |
|
7 |
|a California.
|2 fast
|0 (OCoLC)fst01204928
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/21220/
|
945 |
|
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|a Project MUSE - Custom Collection
|
945 |
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|a Project MUSE - 2013 Film, Theater and Performing Arts
|
945 |
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|a Project MUSE - 2013 Complete
|