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130124s2012 miu o 00 0 eng d |
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|a 9780472028900
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|z 9780472036745
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|z 9780472118618
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|a (OCoLC)825096653
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|a MdBmJHUP
|c MdBmJHUP
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|a Williams, Andreá N.
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|a Dividing Lines :
|b Class Anxiety and Postbellum Black Fiction /
|c Andreá N. Williams.
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|a Ann Arbor :
|b University of Michigan Press,
|c [2012]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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|c ©[2012]
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|a 1 online resource (232 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Class : culture
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|a Introduction : Contending classes, dividing lines -- The language of class : taxonomy and respectability in Frances E.W. Harper's Trial and triumph and Iola Leroy -- Working through class : the Black body, labor, and leisure in Sutton Griggs's Overshadowed -- Mapping class difference : space and social mobility in Paul L. Dunbar's short fiction -- Blood and the mark of class : Pauline Hopkins's genealogies of status -- Classing the color line : class-passing, antiracism, and Charles W. Chesnutt -- Epilogue : beyond the talented tenth.
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|a The author explores how African American literature in the late 19th century represents class divisions among Black Americans. By portraying complex, highly stratified communities with a growing Black middle class, authors dispelled popular notions that Black Americans were uniformly poor or uncivilized. But even as the writers highlighted middle-class achievement, they worried over whether class distinctions would help or sabotage collective Black protest against racial prejudice. The author argues that the signs of class anxiety are embedded in postbellum fiction: from the verbal stammer or prim speech of class-conscious characters to fissures in the fiction's form. In these telling moments, authors innovatively dared to address the sensitive topic of class differences - a topic inextricably related to American civil rights and social opportunity.
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|a Description based on print version record.
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650 |
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7 |
|a Social status in literature.
|2 fast
|0 (OCoLC)fst01123369
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650 |
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7 |
|a Social classes in literature.
|2 fast
|0 (OCoLC)fst01122375
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650 |
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7 |
|a American fiction
|x African American authors.
|2 fast
|0 (OCoLC)fst00807049
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650 |
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7 |
|a SOCIAL SCIENCE
|x Social Classes.
|2 bisacsh
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650 |
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7 |
|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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650 |
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6 |
|a Statut social dans la litterature.
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650 |
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6 |
|a Classes sociales dans la litterature.
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650 |
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6 |
|a Roman americain
|x Auteurs noirs americains
|x Histoire et critique.
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650 |
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0 |
|a Social status in literature.
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650 |
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0 |
|a Social classes in literature.
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650 |
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0 |
|a American fiction
|x African American authors
|x History and criticism.
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655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/21091/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2013 Literature
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945 |
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|a Project MUSE - 2013 Complete
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