Cargando…
Cinematic Flashes : Cinephilia and Classical Hollywood /
This book challenges popular notions of a uniform Hollywood style by disclosing uncanny networks of incongruities, coincidences, and contingencies at the margins of the cinematic frame. In an agile demonstration of "cinephiliac" historiography, the author extracts intriguing film fragments...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
[2013]
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_20708 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905042218.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 130131s2013 inu o 00 0 eng d | ||
| 010 | |z 2012026048 | ||
| 020 | |a 9780253007001 | ||
| 020 | |z 9780253006882 | ||
| 020 | |z 9780253006929 | ||
| 035 | |a (OCoLC)826293787 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Richards, Rashna Wadia, |d 1977- | |
| 245 | 1 | 0 | |a Cinematic Flashes : |b Cinephilia and Classical Hollywood / |c Rashna Wadia Richards. |
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c [2013] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©[2013] | |
| 300 | |a 1 online resource (280 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction : inventing cinephiliac historiography -- Sonic booms : 1929 and the sensational transition to sound -- Show stoppers : 1937 and the chance encounter with chiffons -- Signature crimes : 1946 and the strange case of the lost scene (as well as the stranger case of the missing auteur) -- Apocalyptic antennae : 1954 and the end of storytelling -- Conclusion : the cinephiliac return. | |
| 520 | |a This book challenges popular notions of a uniform Hollywood style by disclosing uncanny networks of incongruities, coincidences, and contingencies at the margins of the cinematic frame. In an agile demonstration of "cinephiliac" historiography, the author extracts intriguing film fragments from their seemingly ordinary narratives in order to explore what these unexpected moments reveal about the studio era. Inspired by Walter Benjamin's preference for studying cultural fragments rather than composing grand narratives, this unorthodox history of the films of the studio system reveals how classical Hollywood emerges as a disjointed network of accidents, excesses, and coincidences. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 6 | |a Cinema |z États-Unis |x Histoire |y 20e siecle. | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 651 | 7 | |a California |z Los Angeles |z Hollywood. |2 fast |0 (OCoLC)fst01312041 | |
| 651 | 0 | |a Hollywood (Los Angeles, Calif.) |x History |y 20th century. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 0 | |a Electronic book. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/20708/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2013 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2013 Complete | ||