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I Don't Sound Like Nobody : Remaking Music in 1950s America /
The 1950s marked a radical transformation in American popular music as the nation drifted away from its love affair with big band swing to embrace the unschooled and unruly new sounds of rock 'n' roll. The sudden flood of records from the margins of the music industry left impressions on t...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
University of Michigan Press,
2010.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | MdBmJHUP | ||
| 005 | 20230905042217.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 101025s2010 miu o 00 0 eng d | ||
| 020 | |a 9780472024544 | ||
| 020 | |z 9780472035120 | ||
| 020 | |z 9780472116379 | ||
| 035 | |a (OCoLC)671648362 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Zak, Albin, |e author. | |
| 245 | 1 | 0 | |a I Don't Sound Like Nobody : |b Remaking Music in 1950s America / |c Albin J. Zak III. |
| 264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c 2010. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©2010. | |
| 300 | |a 1 online resource (324 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Tracking pop | |
| 505 | 0 | |a Records on the radio -- Shifting currents in the mainstream -- Hustlers and amateurs -- Crossing over -- Surface noise -- "Hail! hail! rock and roll" -- New traditions. | |
| 520 | |a The 1950s marked a radical transformation in American popular music as the nation drifted away from its love affair with big band swing to embrace the unschooled and unruly new sounds of rock 'n' roll. The sudden flood of records from the margins of the music industry left impressions on the pop soundscape that would eventually reshape long-established listening habits and expectations, as well as conventions of songwriting, performance, and recording. When Elvis Presley claimed, "I don't sound like nobody," a year before he made his first commercial record, he unwittingly articulated the era's musical Zeitgeist. The central story line of I Don't Sound Like Nobody is change itself. The book's characters include not just performers but engineers, producers, songwriters, label owners, radio personalities, and fans--all of them key players in the decade's musical transformation [Publisher description] | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Music trade. |2 fast |0 (OCoLC)fst01030641 | |
| 650 | 7 | |a Music |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a MUSIC |x General. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
| 650 | 6 | |a Musique |x Industrie |z États-Unis. | |
| 650 | 0 | |a Music trade |z United States. | |
| 650 | 0 | |a Music |z United States |y 20th century |x History and criticism. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/20687/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement | ||
| 945 | |a Project MUSE - Archive Complete Supplement | ||