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120313s2013 mdu o 00 0 eng d |
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|a 9781421408644
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|z 9781421407173
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|a (OCoLC)830022801
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|a MdBmJHUP
|c MdBmJHUP
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|a Elliott, Kamilla,
|d 1957-
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|a Portraiture and British Gothic Fiction :
|b The Rise of Picture Identification, 1764-1835 /
|c Kamilla Elliott.
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|a Baltimore :
|b Johns Hopkins University Press,
|c 2013.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2013
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|c ©2013.
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|a 1 online resource (352 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Theory and/of Picture Identification -- The Politics of Picture Identification -- The Age of Portraiture and the Portraiture of Politics -- Matriarchal versus Patriarchal Picture Identification -- Portraits, Progeny, Iconolatry, and Iconoclasm -- Identifying Pictures -- Pictures Identifying -- Iconism and the Aesthetics of Gothic Fiction -- Desiring Picture Identification -- Fearing Picture Identification.
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|a Traditionally, kings and rulers were featured on stamps and money; the titled and affluent commissioned busts and portraits; and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote the value and agendas of the ordinary middle classes. According to the author, our current practices of "picture identification" (driver's licenses, passports, and so on) are rooted in these late eighteenth- and early nineteenth-century debates. This book examines ways writers such as Horace Walpole, Ann Radcliffe, Mary Shelley, and C. R. Maturin as well as artists, historians, politicians, and periodical authors dealt with changes in how social identities were understood and valued in British culture-specifically, who was represented by portraits and how they were represented as they vied for social power.
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|a English.
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|a Description based on print version record.
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650 |
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7 |
|a National characteristics, English, in literature.
|2 fast
|0 (OCoLC)fst01033416
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650 |
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|a Gothic revival (Literature)
|2 fast
|0 (OCoLC)fst00945084
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650 |
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|a English fiction.
|2 fast
|0 (OCoLC)fst00910817
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650 |
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7 |
|a Art in literature.
|2 fast
|0 (OCoLC)fst00815566
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650 |
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|a Art and society.
|2 fast
|0 (OCoLC)fst00815432
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650 |
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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650 |
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|a Roman anglais
|y 18e siecle
|x Histoire et critique.
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650 |
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|a Art dans la litterature.
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650 |
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|a Roman anglais
|y 19e siecle
|x Histoire et critique.
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650 |
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|a Litterature frenetique
|z Grande-Bretagne
|x Histoire
|y 18e siecle.
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650 |
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|a Litterature frenetique
|z Grande-Bretagne
|x Histoire
|y 19e siecle.
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650 |
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|a Art et societe
|z Grande-Bretagne
|x Histoire
|y 18e siecle.
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650 |
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|a Art et societe
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|x Histoire
|y 19e siecle.
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650 |
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6 |
|a Anglais dans la litterature.
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650 |
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0 |
|a English fiction
|y 18th century
|x History and criticism.
|
650 |
|
0 |
|a Art in literature.
|
650 |
|
0 |
|a English fiction
|y 19th century
|x History and criticism.
|
650 |
|
0 |
|a Gothic revival (Literature)
|z Great Britain
|x History
|y 18th century.
|
650 |
|
0 |
|a Gothic revival (Literature)
|z Great Britain
|x History
|y 19th century.
|
650 |
|
0 |
|a Art and society
|z Great Britain
|x History
|y 18th century.
|
650 |
|
0 |
|a Art and society
|z Great Britain
|x History
|y 19th century.
|
650 |
|
0 |
|a National characteristics, English, in literature.
|
651 |
|
7 |
|a Great Britain.
|2 fast
|0 (OCoLC)fst01204623
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655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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710 |
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/20574/
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2013 Literature
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945 |
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|a Project MUSE - 2013 Complete
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