Cargando…
Crosstalk : Canadian and Global Imaginaries in Dialogue /
"What are the fictions that shape Canadian engagements with the global? What frictions emerge from these encounters? In negotiating aesthetic and political approaches to Canadian cultural production within contexts of global circulation, this collection argues for the value of attending to narr...
| Otros Autores: | , |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Waterloo, Ontario, Canada :
Wilfrid Laurier University Press,
[2012]
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_20570 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905042210.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 111104t20122012onc o 00 0 eng d | ||
| 020 | |a 9781554583096 | ||
| 020 | |z 1554582644 | ||
| 020 | |z 1554583098 | ||
| 020 | |z 9781554582648 | ||
| 035 | |a (OCoLC)759669241 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 1 | 0 | |a Crosstalk : |b Canadian and Global Imaginaries in Dialogue / |c Diana Brydon and Marta Dvorak, editors. |
| 264 | 1 | |a Waterloo, Ontario, Canada : |b Wilfrid Laurier University Press, |c [2012] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2012 | |
| 264 | 4 | |c ©[2012] | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Cover -- Contents -- Acknowledgements -- 1. Introduction: Negotiating Meaning in Changing Times -- 2. â€oeWhirlwinds Coiled at My Heartâ€?: Voice and Vision in a Writerâ€?s Practice -- SECTION ONE: COLLABORATION, CROSSTALK, IMPROVISATION -- 3. Voicing the Unforeseeable: Improvisation, Social Practice, Collaborative Research -- 4. Epistemological Crosstalk: Between Melancholia and Spiritual Cosmology in David Chariandyâ€?s Soucouyant and Lee Maracleâ€?s Daughters Are Forever -- 5. Native Performance Culture, Monique Mojica, and the Chocolate Woman Workshops | |
| 505 | 0 | |a 6. Collaboration and Convention in the Poetry of Pain Not BreadSECTION TWO: DIALOGISM, POLYPHONY, VOICE -- 7. Rejoinders in a Planetary Dialogue: J.M. Coetzee, Margaret Atwood, Lloyd Jones, et al. in Dialogue with Absent Texts -- 8. Not Just Representation: The Sound and Concrete Poetries of The Four Horsemen -- 9. Portraits of the Artist in Dionne Brand�s What We All Long For and Madeleine Thien�s Certainty -- 10. Unsettling Voices: Dionne Brand�s Cosmopolitan Cities | |
| 505 | 0 | |a 16. Negotiating Belonging in Global Times: The HÃrouxville DebatesWorks Cited -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z | |
| 520 | |a "What are the fictions that shape Canadian engagements with the global? What frictions emerge from these encounters? In negotiating aesthetic and political approaches to Canadian cultural production within contexts of global circulation, this collection argues for the value of attending to narratorial, lyric, and theatrical conventions in dialogue with questions of epistemological and social justice. Using the twinned framing devices of crosstalk and cross-sighting, the contributing authors attend to how the interplay of the verbal and the visual maps public spheres of creative engagement today. Individual chapters present a range of methodological approaches to understanding national culture and creative labour in global contexts. Through their collective enactment of methodological crosstalk, they demonstrate the productivity of scholarly debate across differences of outlook, culture, and training. In highlighting convergences and disagreements, the book sharpens our understanding of how literary and critical conventions and theories operate within and across cultures."--Publisher's website | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Literature and globalization. |2 fast |0 (OCoLC)fst01742170 | |
| 650 | 7 | |a Culture and globalization. |2 fast |0 (OCoLC)fst01736229 | |
| 650 | 7 | |a Canadian literature. |2 fast |0 (OCoLC)fst00845111 | |
| 650 | 7 | |a LITERARY CRITICISM |x American |x General. |2 bisacsh | |
| 650 | 6 | |a Culture et mondialisation |z Canada. | |
| 650 | 6 | |a Litterature et mondialisation |z Canada. | |
| 650 | 6 | |a Litterature canadienne |x Histoire et critique. | |
| 650 | 0 | |a Culture and globalization |z Canada. | |
| 650 | 0 | |a Literature and globalization |z Canada. | |
| 650 | 0 | |a Canadian literature |x History and criticism. | |
| 651 | 7 | |a Canada. |2 fast |0 (OCoLC)fst01204310 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Dvorak, Marta, |e editor. | |
| 700 | 1 | |a Brydon, Diana, |e editor. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/20570/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2012 Complete | ||
| 945 | |a Project MUSE - 2012 Global Cultural Studies | ||