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War in Worcester: : Youth and the Apartheid State /
Ever since Aristotle's Poetics, both the theory and the practice of theater have been governed by the assumption that it is a form of representation dominated by what Aristotle calls the "mythos," or the "plot." This conception of theater has subordinated characteristics rel...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Fordham University Press,
2004.
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| Edición: | 1st ed. |
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: theatricality as medium
- Theatrocracy; or surviving the break
- Technics, theatricality, installation
- Scene and screen: electronic media and theatricality /
- Antigone's Nomos
- The place of death: Oedipus at Colonus
- Storming the work: allegory and theatricality in Benjamin's Origin of the German Mourning Play
- "Ibi et ubique": the incontinent plot (Hamlet)
- Kierkegaard's Posse
- After the end: Adorno
- Psychoanalysis and theatricality
- "The virtual reality of Theater": Antonin Artaud
- Double take: acting and writing in Genet's "The strange word Urb"
- "Being ... and eXistenZ": some preliminary considerations on theatricality in film
- "War," "Terrorism," and "spectacle": on towers and caves
- Stages and plots: theatricality after September 11, 2001.