Tabla de Contenidos:
  • 1960s
  • Levee Building and the Settlement of the Yazoo Basin / Arthell Kelley (1963)
  • From Enchantment to Disillusionment A Southern Editor Views the New Deal / John Ray Skates (1967)
  • Some Mississippi Views of American Federalism, 1817-1900 / William H. Hatcher (1967)
  • 1970s
  • "Harmony with the Dead" James Dickeys Descent into the Underworld / David C. Berry (1974)
  • Pat Harrison and the Social Security Act of 1935 / Martha Swain (1976)
  • The Southern Belle as an Antebellum Ideal / Kathryn L. Seidel (1977)
  • A Sense of Place and the Americanization of Mississippi / Willie Morris (1979)
  • 1980s
  • Cable's The Grandissimes
  • A Literary Pioneer Confronts the Southern Tradition / Alfred Bendixen (1980)
  • Southern Writers
  • Notes Toward a Definition of Terms / Thadious M. Davis (1981)
  • "Tough Times" Downhome Blues Recordings as Folk History / John Solomon Otto, Augustus M. Burns (1983)
  • The Black Faith of W. E. B. Du Bois Sociocultural and Political Dimensions of Black Religion / Manning Marable (1985)
  • Subverting History Women, Narrative, and Patriarchy in Absalom, Absalom! / Susan V. Donaldson (1988)
  • 1990s
  • On Welly's Use of Allusion
  • Expectations and Their Revision in "The Wide Net," The Robber Bridegroom, and "At The Landing." / Harriet Pollack (1990)
  • Natchez and Richard Wright in Southern American Literature / Margaret Walker Alexander (1991)
  • The Mississippi Frontier in Faulkner's Fiction and in Fact / Don H. Doyle (1991)
  • Unlinking Race and Gender The Awakening as a Southern Novel / Barbara C. Ewell (1999)
  • 2000s
  • "When Is an Ocean not an Ocean?" Geographies of the Atlantic World / James Taylor Carson (2006)
  • The Southern Way of Death The Meaning of Death in Antebellum White Evangelical Culture / Randy J. Sparks (2006)
  • Africa and the American South Culinary Connections / Robert L. Hall (2007)
  • Harriet Jacobs at Home in Incidents in the Life of a Slave Girl / Anne Bradford Warner (2008)
  • James Agee, Walker Evans, and the Dialectic of Documentary Representation in Let Us Now Praise Famous Men / Joseph Millichap (2010).