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Music in American Crime Prevention and Punishment /

Although the use of music for extramusical purposes has been a part of American culture for some time, the phenomenon remained largely unknown to the general public until revelations became widespread of startling military practices during the second Iraq War. In Music in American Crime Prevention a...

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Detalles Bibliográficos
Autor principal: Hirsch, Lily E., 1979- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hirsch, Lily E.,  |d 1979-  |e author. 
245 1 0 |a Music in American Crime Prevention and Punishment /   |c Lily E. Hirsch. 
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505 0 |a Classical music in crime prevention -- Sound for sound : a new approach to punishment in noise abatement -- Rap lyrics as evidence -- The music made me do it : obscenity and incitement in legal valuations of music -- Music in prison -- Music as torture -- Epilogue. 
520 |a Although the use of music for extramusical purposes has been a part of American culture for some time, the phenomenon remained largely unknown to the general public until revelations became widespread of startling military practices during the second Iraq War. In Music in American Crime Prevention and Punishment, Lily E. Hirsch explores the related terrain at the intersection of music and law, demonstrating the ways in which music has become a tool of law enforcement and justice through: police and community leaders' use of classical music in crime deterrence and punishment; the use of rap lyrics as prosecutorial evidence; allegations of music as incitement to violence; and the role of music in U.S. prisons and in detention centers in Guantanamo, Iraq, and Afghanistan. In the course of her study, Hirsch asks several questions: How does the law treat music? When and why does music participate in the law? How does music influence the legal process? How does the legal process influence music? And how do these appropriations affect the Romantic ideals underlying our view of music? 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Performing arts  |x Law and legislation.  |2 fast  |0 (OCoLC)fst01057907 
650 7 |a Music  |x Social aspects.  |2 fast  |0 (OCoLC)fst01030444 
650 7 |a Music  |x Psychological aspects.  |2 fast  |0 (OCoLC)fst01030418 
650 7 |a Music and crime.  |2 fast  |0 (OCoLC)fst01749492 
650 7 |a Criminal justice, Administration of.  |2 fast  |0 (OCoLC)fst00883246 
650 7 |a MUSIC  |x General.  |2 bisacsh 
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650 6 |a Justice penale  |x Administration  |z États-Unis. 
650 6 |a Musique  |x Aspect psychologique. 
650 6 |a Musique  |x Aspect social  |z États-Unis. 
650 6 |a Musique et criminalite. 
650 0 |a Criminal justice, Administration of  |z United States. 
650 0 |a Performing arts  |x Law and legislation  |z United States. 
650 0 |a Music  |x Psychological aspects. 
650 0 |a Music  |x Social aspects  |z United States. 
650 0 |a Music and crime. 
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