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Muy buenas noches : Mexico, Television, and the Cold War /

By the end of the twentieth century, Mexican multimedia conglomerate Televisa stood as one of the most powerful media companies in the world. Scholars have concluded that the company's success was owed in large part to its executives who walked in lockstep with the government and the Partido Re...

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Detalles Bibliográficos
Autor principal: González de Bustamante, Celeste, 1965-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lincoln : University of Nebraska Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a González de Bustamante, Celeste,  |d 1965- 
245 1 0 |a Muy buenas noches :   |b Mexico, Television, and the Cold War /   |c Celeste González de Bustamante ; foreword by Richard Cole. 
264 1 |a Lincoln :  |b University of Nebraska Press,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©2012. 
300 |a 1 online resource (352 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a The Mexican experience 
505 0 |a The Rise of Television in Mexico -- The Invention of Tele-Traditions -- Rebels and Revolutionaries -- The First Television Diplomats -- Hot Rockets and Cold War -- Olympic Dreams and Tlatelolco Nightmares -- Victory for the Brazilians and Echeverría. 
520 |a By the end of the twentieth century, Mexican multimedia conglomerate Televisa stood as one of the most powerful media companies in the world. Scholars have concluded that the company's success was owed in large part to its executives who walked in lockstep with the government and the Partido Revolucionario Institucional (PRI), which ruled for seventy-one years. At the same time, government decisions regulating communications infrastructure aided the development of the television industry. In one of the first books to be published in English on Mexican television, the author argues that despite the cozy relationship between media moguls and the PRI, these connections should not be viewed as static and without friction. Through an examination of early television news programs, this book reveals the tensions that existed between what the PRI and government officials wanted to be reported and what was actually reported and how. Further, despite the increasing influence of television on society, viewers did not always accept or agree with what they saw on the air. Television news programming played an integral role in creating a sense of lo mexicano (that which is Mexican) at a time of tremendous political, social, and cultural change. At its core the book grapples with questions about the limits of cultural hegemony at the height of the PRI and the Cold War.--description provided by publisher. 
546 |a English. 
588 |a Description based on print version record. 
610 2 7 |a Partido Revolucionario Institucional  |2 fast  |0 (OCoLC)fst00546934 
610 2 0 |a Partido Revolucionario Institucional  |x History  |y 20th century. 
650 7 |a Television broadcasting of news  |2 fast  |0 (OCoLC)fst01146787 
650 7 |a War  |x Influence.  |2 fast  |0 (OCoLC)fst01170343 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Journalism.  |2 bisacsh 
650 6 |a Telejournaux  |z Mexique  |x Histoire  |y 20e siecle. 
650 0 |a Cold War  |x Influence. 
650 0 |a Television broadcasting of news  |z Mexico  |x History  |y 20th century. 
651 7 |a Mexico  |2 fast  |0 (OCoLC)fst01211700 
651 6 |a Mexique  |x Histoire  |y 20e siecle. 
651 0 |a Mexico  |x History  |y 20th century. 
655 7 |a History  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/19839/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2013 Film, Theater and Performing Arts 
945 |a Project MUSE - 2013 Latin American and Caribbean Studies 
945 |a Project MUSE - 2013 Complete