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No Innocent Bystanders : Performance Art and Audience /
At a moment when performance art, and performance in general, are at the center of the international art world, this book offers insightful readings of major performance pieces by the likes of Acconci, Burden, Abramović, and Hsieh, and confronts the twisting and troubled relationship that performan...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hanover, N.H. :
Dartmouth College Press,
[2012]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9781611683363 | ||
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Ward, Frazer, |e author. | |
| 245 | 1 | 0 | |a No Innocent Bystanders : |b Performance Art and Audience / |c Frazer Ward. |
| 264 | 1 | |a Hanover, N.H. : |b Dartmouth College Press, |c [2012] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©[2012] | |
| 300 | |a 1 online resource (224 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Interfaces: studies in visual culture | |
| 505 | 0 | |a Introduction : reimagining the audience -- Performance after minimalism : fantasies of public and private -- Acconci : "Public space is wishful thinking" -- Burden : "I'd set it up by telling a bunch of people, and that would make it happen" -- Abramović : "You can stop, you don't have to do this" -- Hsieh : "For me, the audience is secondary, however, without them my performances couldn't exist". | |
| 520 | |a At a moment when performance art, and performance in general, are at the center of the international art world, this book offers insightful readings of major performance pieces by the likes of Acconci, Burden, Abramović, and Hsieh, and confronts the twisting and troubled relationship that performance art has had with the spectator and the public sphere. The author contends that the ethical challenges with which performance art confronts its viewers speak to the reimagining of the audience, in terms that suggest the collapse of notions like "public" and "community." This work is a discussion of the relationship between art and the audience that will appeal to a range of art historians, artists, and readers who are interested in constructions of the public sphere. -- Provided by publisher. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Performing arts |x Audiences. |2 fast |0 (OCoLC)fst01057889 | |
| 650 | 7 | |a Performance art. |2 fast |0 (OCoLC)fst01057852 | |
| 650 | 7 | |a ART |x Conceptual. |2 bisacsh | |
| 650 | 6 | |a Arts du spectacle |x Publics. | |
| 650 | 0 | |a Performing arts |x Audiences. | |
| 650 | 0 | |a Performance art. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/19615/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2013 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2013 Complete | ||