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The Philosophy of Steven Soderbergh /
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lexington :
The University Press of Kentucky,
2011.
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| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction / R. Barton Palmer and Steven M. Sanders
- Knowledge, truth, sexuality. Knowledge, truth, and thought experiments in Schizopolis and Sex, lies, and videotape / David Rodroguez-Ruiz
- Love, truth, and the medium in Sex, lies, and videotape / Yannis Tzioumakis
- Amplified discourse and desire in Sex, lies, and videotape / Murray Pomerance
- Temporality, intertextuality, genre. Alain Resnais meets film noir in The underneath and The limey / R. Barton Palmer
- Consciousness, temporality, and the crime-revenge genre in The limey / Geoff King
- - Intertextuality, broken mirrors, and The good German / Andrew deWaard
- Remade by Steven Soderbergh / Aaron Baker
- Self-reflexivity, self-centeredness, Autobiography. Philosophical reflections on Steven Soderbergh's Kafka / Ivo Ritzer
- Responsibility and self-centered narration in Erin Brockovich / Andrew Patrick Nelson
- Schizopolis as philosophical autobiography / Drew Morton
- Politics, morals, methodology. Mr. Soderbergh goes to Washington / Steven M. Sanders
- Schizoanalyzing The informant / David Sterritt
- Competing modes of capital in Ocean's eleven / R. Colin Tait
- An ethical analysis of Traffic / Shai Biderman and William J. Devlin
- Simulacra, space, Solaris. The philosophy of space and memory in Solaris / Douglas McFarland
- Solaris, cinema, and Simulacra / Michael Valdez Moses.