Cargando…
Lost Sounds : Blacks and the Birth of the Recording Industry, 1890-1919 /
"Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides revealing biographies of some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams,...
| Autor principal: | |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
[2004].
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_19379 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905042059.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 030116t20042004ilu o 00 0 eng d | ||
| 020 | |a 9780252090639 | ||
| 020 | |z 9780252073076 | ||
| 020 | |z 9780252028502 | ||
| 035 | |a (OCoLC)867794800 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Brooks, Tim. | |
| 245 | 1 | 0 | |a Lost Sounds : |b Blacks and the Birth of the Recording Industry, 1890-1919 / |c Tim Brooks ; appendix of Caribbean and South American recordings by Dick Spottswood. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2004]. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©[2004]. | |
| 300 | |a 1 online resource (656 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Music in American life | |
| 505 | 0 | |a George W. Johnson, the first Black recording artist. The early years ; Talking machines! ; The trial of George W. Johnson -- Black recording artists, 1890-99. The Unique Quartette ; Louis "Bebe" Vasnier : recording in nineteenth-century New Orleans ; The Standard Quartette and South before the War ; The Kentucky Jubilee Singers ; Bert Williams and George Walker ; Cousins and DeMoss ; Thomas Craig -- Black recording artists, 1900-1909. The Dinwiddie Quartet ; Carroll Clark ; Charley Case : passing for White? ; The Fisk Jubilee Singers and the popularization of Negro spirituals ; Polk Miller and his Old South Quartette -- Black recording artists, 1910-15. Jack Johnson ; Daisy Tapley ; Apollo Jubilee Quartette ; Edward Sterling Wright and the poetry of Paul Laurence Dunbar ; James Reese Europe ; Will Marion Cook and the Afro-American Folk Song Singers ; Dan Kildare and Joan Sawyer's Persian Garden Orchestra ; The Tuskegee Institute Singers ; The Right Quintette -- Black recording artists, 1916-19. Wilbur C. Sweatman : disrepecting Wilbur ; Opal D. Cooper ; Noble Sissle and Eubie Blake ; Ford T. Dabney : syncopation over Broadway ; W.C. Handy ; Roland Hayes ; The Four Harmony Kings ; Broome Special Phonograph Records ; Edward H. Boatner ; Harry T. Burleigh ; Florence Cole-Talbert ; R. Nathaniel Dett ; Clarence Cameron White -- Other early recordings ; Miscellaneous recordings. | |
| 520 | 8 | |a "Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in a wide range of genres and provides revealing biographies of some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W.C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices."--Jacket. | |
| 520 | 1 | |a "The first in-depth history of the involvement of African Americans in the earliest years of recording, this book examines the first three decades of sound recording in the United States, charting the surprising role black artists played in the period leading up to the Jazz Age." | |
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | 7 | |a Geschichte 1890-1919. |2 swd |
| 650 | 7 | |a Enregistrements sonores |x Industrie et commerce |z États-Unis |y 1800- ... |2 ram | |
| 650 | 7 | |a Musiciens noirs américains |y 1800- ... |2 ram | |
| 650 | 7 | |a Musique noire américaine |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Musiker |2 gnd | |
| 650 | 7 | |a Schallplattenindustrie |2 gnd | |
| 650 | 7 | |a Sound recording industry. |2 fast |0 (OCoLC)fst01127019 | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a African Americans |x Music. |2 fast |0 (OCoLC)fst00799648 | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
| 650 | 6 | |a Musique |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Enregistrements sonores |x Industrie |x Histoire. | |
| 650 | 6 | |a Noirs americains |x Musique |x Histoire et critique. | |
| 650 | 0 | |a Music |z United States |x History and criticism. | |
| 650 | 0 | |a Sound recording industry |x History. | |
| 650 | 0 | |a African Americans |x Music |x History and criticism. | |
| 651 | 7 | |a Schwärze |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Spottswood, Richard K. |q (Richard Keith) | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/19379/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Global Cultural Studies Supplement | ||
| 945 | |a Project MUSE - Archive Complete Supplement | ||