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Collecting Objects / Excluding People : Chinese Subjects and American Visual Culture, 1830-1900 /

"Combining aesthetic and political history, explores the influence of Chinese people and objects on American visual culture. In Collecting Objects / Excluding People, Lenore Metrick-Chen demonstrations an unknown impact of Chinese immigration upon nineteenth-century American art and visual cult...

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Detalles Bibliográficos
Autor principal: Metrick-Chen, Lenore
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albany [N.Y.] : State University of New York Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Metrick-Chen, Lenore. 
245 1 0 |a Collecting Objects / Excluding People :   |b Chinese Subjects and American Visual Culture, 1830-1900 /   |c Lenore Metrick-Chen. 
264 1 |a Albany [N.Y.] :  |b State University of New York Press,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©2012. 
300 |a 1 online resource (320 pages):   |b illustrations (chiefly color) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a The Politics of Chinoiserie: The Disappearance of Chinese Objects -- The Power of Inaction: Chinese Objects and the Transformation of the American Definition of Art -- From Class to Race: The New York Times Reconstructs "Chinese" -- The Chinese of the American Imagination: Nineteenth-century Trade Card Images -- Conclusion. 
520 |a "Combining aesthetic and political history, explores the influence of Chinese people and objects on American visual culture. In Collecting Objects / Excluding People, Lenore Metrick-Chen demonstrations an unknown impact of Chinese immigration upon nineteenth-century American art and visual culture. The American ideas of "Chineseness" ranged from a negative portrayal to an admiring one and these varied images had an effect on museum art collections and advertising images. They brought new ideas into American art theory, anticipating twentieth-century Modernism. Metrick-Chen demonstrates that efforts to construct a cultural democracy led to the creation of unforeseen new categories for visual objects and unanticipated social changes. Collecting Objects / Excluding People reveals the power of images upon culture, the influence of media representation upon the lives of Chinese immigrants, and the impact of political ideology upon the definition of art itself."--Project Muse 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Public opinion, American.  |2 fast  |0 (OCoLC)fst01354087 
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650 7 |a Art, Chinese  |x Collectors and collecting.  |2 fast  |0 (OCoLC)fst00816105 
650 7 |a Art and race.  |2 fast  |0 (OCoLC)fst00815423 
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650 6 |a Art chinois  |x Collectionneurs et collections  |z États-Unis. 
650 0 |a Art and race. 
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650 0 |a Art, Chinese  |x Collectors and collecting  |z United States. 
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651 7 |a China.  |2 fast  |0 (OCoLC)fst01206073 
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651 0 |a China  |x Foreign public opinion, American  |x History  |y 19th century. 
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655 7 |a Electronic books.   |2 local 
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945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2012 Complete 
945 |a Project MUSE - 2012 History 
945 |a Project MUSE - 2012 American Studies