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Black Regions of the Imagination : African American Writers between the Nation and the World /

"Focusing on literature produced between the Harlem Renaissance and the Black Arts Movement (1930-1970), in Black Regions of the Imagination explores how Zora Neale Hurston, Richard Wright, Chester Himes and James Baldwin consistently represent black Americans within both national and internati...

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Detalles Bibliográficos
Autor principal: Dunbar, Eve, 1976-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia, PA : Temple University Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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035 |a (OCoLC)818865847 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Dunbar, Eve,  |d 1976- 
245 1 0 |a Black Regions of the Imagination :   |b African American Writers between the Nation and the World /   |c Eve Dunbar. 
264 1 |a Philadelphia, PA :  |b Temple University Press,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©2012. 
300 |a 1 online resource (231 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a 1. Becoming American through Ethnographic Writing: Zora Neale Hurston and the Performance of Ethnography; 2. Escape through Ethnography: Literary Regionalism and the Image of Nonracial Alignment in Richard Wright's Travel Writing; 3. Deconstructing the Romance of Ethnography: Queering Knowledge in James Baldwin's Another Count; 4. Ethnography of the Absurd: Chester Himes's Detective Fiction and Counterimages of Black Life; Conclusion: Look Down! The Black Arts Affirmation of Place and the Refusal to Translate. 
520 |a "Focusing on literature produced between the Harlem Renaissance and the Black Arts Movement (1930-1970), in Black Regions of the Imagination explores how Zora Neale Hurston, Richard Wright, Chester Himes and James Baldwin consistently represent black Americans within both national and international settings. The book sets forth "the region" as a way to make sense of the paradigmatic anti-national narrative concerns of these black writers who set about to both document and re-imagine a set of "homegrown" racial experiences within a more worldly framework. In the writings of the selected authors one sees the constant coupling of national and international settings and concerns, disallowing the privileging of the national or the international in an attempt to escape the ever-marginalizing parochialism dictated by mid-20th century American segregation. Moreover, ethnography is the stylistic optic utilized by these writers to represent issues of proximity and distance implied by the simultaneous presentation of the national and international. Through the employment of ethnographic techniques such as participant-observation, thick description, and an attention to the social significance of American cultural practices (namely racism), these mid-20th century black Americans signify on blackness in new ways."--Project Muse. 
588 |a Description based on print version record. 
650 7 |a Ethnology in literature.  |2 fast  |0 (OCoLC)fst00916180 
650 7 |a American literature  |x African American authors.  |2 fast  |0 (OCoLC)fst00807114 
650 7 |a American literature.  |2 fast  |0 (OCoLC)fst00807113 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 6 |a Ethnologie dans la litterature. 
650 6 |a Litterature americaine  |y 20e siecle  |x Histoire et critique. 
650 0 |a Ethnology in literature. 
650 0 |a American literature  |x African American authors. 
650 0 |a American literature  |y 20th century  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/19218/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2012 Complete 
945 |a Project MUSE - 2012 Literature 
945 |a Project MUSE - 2012 American Studies