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121124s2012 pau o 00 0 eng d |
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|a 9781439909447
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|z 9781439909423
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|z 9781439909430
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|a (OCoLC)818865847
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|a MdBmJHUP
|c MdBmJHUP
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|a Dunbar, Eve,
|d 1976-
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|a Black Regions of the Imagination :
|b African American Writers between the Nation and the World /
|c Eve Dunbar.
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|a Philadelphia, PA :
|b Temple University Press,
|c 2012.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2012
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|c ©2012.
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|a 1 online resource (231 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a 1. Becoming American through Ethnographic Writing: Zora Neale Hurston and the Performance of Ethnography; 2. Escape through Ethnography: Literary Regionalism and the Image of Nonracial Alignment in Richard Wright's Travel Writing; 3. Deconstructing the Romance of Ethnography: Queering Knowledge in James Baldwin's Another Count; 4. Ethnography of the Absurd: Chester Himes's Detective Fiction and Counterimages of Black Life; Conclusion: Look Down! The Black Arts Affirmation of Place and the Refusal to Translate.
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|a "Focusing on literature produced between the Harlem Renaissance and the Black Arts Movement (1930-1970), in Black Regions of the Imagination explores how Zora Neale Hurston, Richard Wright, Chester Himes and James Baldwin consistently represent black Americans within both national and international settings. The book sets forth "the region" as a way to make sense of the paradigmatic anti-national narrative concerns of these black writers who set about to both document and re-imagine a set of "homegrown" racial experiences within a more worldly framework. In the writings of the selected authors one sees the constant coupling of national and international settings and concerns, disallowing the privileging of the national or the international in an attempt to escape the ever-marginalizing parochialism dictated by mid-20th century American segregation. Moreover, ethnography is the stylistic optic utilized by these writers to represent issues of proximity and distance implied by the simultaneous presentation of the national and international. Through the employment of ethnographic techniques such as participant-observation, thick description, and an attention to the social significance of American cultural practices (namely racism), these mid-20th century black Americans signify on blackness in new ways."--Project Muse.
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|a Description based on print version record.
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650 |
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|a Ethnology in literature.
|2 fast
|0 (OCoLC)fst00916180
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650 |
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|a American literature
|x African American authors.
|2 fast
|0 (OCoLC)fst00807114
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650 |
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|a American literature.
|2 fast
|0 (OCoLC)fst00807113
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650 |
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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650 |
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|a Ethnologie dans la litterature.
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650 |
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|a Litterature americaine
|y 20e siecle
|x Histoire et critique.
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650 |
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0 |
|a Ethnology in literature.
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650 |
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0 |
|a American literature
|x African American authors.
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650 |
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0 |
|a American literature
|y 20th century
|x History and criticism.
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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710 |
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/19218/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2012 Complete
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945 |
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|a Project MUSE - 2012 Literature
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945 |
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|a Project MUSE - 2012 American Studies
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