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Kuna Art and Shamanism : An Ethnographic Approach /

"Known for their beautiful textile art, the Kuna of Panama have been scrutinized by anthropologists for decades. Perhaps surprisingly, this scrutiny has overlooked the magnificent Kuna craft of nuchukana--wooden anthropomorphic carvings--which play vital roles in curing and other Kuna rituals....

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Detalles Bibliográficos
Autor principal: Fortis, Paolo, 1976-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Fortis, Paolo,  |d 1976- 
245 1 0 |a Kuna Art and Shamanism :   |b An Ethnographic Approach /   |c by Paolo Fortis. 
264 1 |a Austin :  |b University of Texas Press,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©2012. 
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505 0 |a Island, gardens, and ancient trees -- Alterity and the populated forest -- Carving and the transformation of male fertility -- Amniotic designs -- From the perspective of the mother -- Tarpa, or what lies between us -- Images of alterity -- Sculptural forms. 
520 |a "Known for their beautiful textile art, the Kuna of Panama have been scrutinized by anthropologists for decades. Perhaps surprisingly, this scrutiny has overlooked the magnificent Kuna craft of nuchukana--wooden anthropomorphic carvings--which play vital roles in curing and other Kuna rituals. Drawing on long-term fieldwork, Paolo Fortis at last brings to light this crucial cultural facet, illuminating not only Kuna aesthetics and art production but also their relation to wider social and cosmological concerns. Exploring an art form that informs birth and death, personhood, the dream world, the natural world, religion, gender roles, and ecology, Kuna Art and Shamanism provides a rich understanding of this society's visual system, and the ways in which these groundbreaking ethnographic findings can enhance Amerindian scholarship overall. Fortis also explores the fact that to ask what it means for the Kuna people to carve the figure of a person is to pose a riddle about the culture's complete concept of knowing. Also incorporating notions of landscape (islands, gardens, and ancient trees) as well as cycles of life, including the influence of illness, Fortis places the statues at the center of a network of social relationships that entangle people with nonhuman entities. As an activity carried out by skilled elderly men, who possess embodied knowledge of lifelong transformations, the carving process is one that mediates mortal worlds with those of immortal primordial spirits. Kuna Art and Shamanism immerses readers in this sense of unity and opposition between soul and body, internal forms and external appearances, and image and design."--Publisher's website 
588 |a Description based on print version record. 
650 7 |a Shamanism.  |2 fast  |0 (OCoLC)fst01115159 
650 7 |a Cuna mythology.  |2 fast  |0 (OCoLC)fst00885188 
650 7 |a Cuna Indians  |x Religion.  |2 fast  |0 (OCoLC)fst00885174 
650 7 |a Cuna art.  |2 fast  |0 (OCoLC)fst00885178 
650 7 |a ART  |x Native American.  |2 bisacsh 
650 6 |a Chamanisme  |z Panamá. 
650 6 |a Cuna (Indiens)  |x Religion. 
650 6 |a Art cuna. 
650 0 |a Shamanism  |z Panama. 
650 0 |a Cuna Indians  |x Religion. 
650 0 |a Cuna mythology. 
650 0 |a Cuna art. 
651 7 |a Panama.  |2 fast  |0 (OCoLC)fst01205585 
655 7 |a Electronic books.   |2 local 
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830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/19210/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2012 Complete 
945 |a Project MUSE - 2012 Archaeology and Anthropology 
945 |a Project MUSE - 2012 Native American and Indigenous Studies