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Swans of the Kremlin : Ballet and Power in Soviet Russia /

"Classical ballet was perhaps the most visible symbol of aristocratic culture and its isolation from the rest of Russian society under the tsars. In the wake of the October Revolution, ballet, like all of the arts, fell under the auspices of the Soviet authorities. In light of these events, man...

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Detalles Bibliográficos
Autor principal: Ezrahi, Christina (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Pittsburgh : University of Pittsburgh Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Swans of the Kremlin :   |b Ballet and Power in Soviet Russia /   |c Christina Ezrahi. 
264 1 |a Pittsburgh :  |b University of Pittsburgh Press,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©2012. 
300 |a 1 online resource (336 pages). 
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490 0 |a Pitt series in Russian and East European studies 
505 0 |a Survival: the Mariinsky and Bolshoi after the October revolution -- Ideological pressure: classical ballet and Soviet cultural politics, 1923-1936 -- Art versus politics: the Kirov's artistic council, 1950s-1960s -- Ballet battles: the Kirov ballet during Khrushchev's Thaw -- Beyond the iron curtain: the Bolshoi ballet in London in 1956 -- Enfant terrible: Leonid Iakobson and The Bedbug, 1962 -- Choreography as resistance: Yuri Grigorovich's Spartacus, 1968. 
520 |a "Classical ballet was perhaps the most visible symbol of aristocratic culture and its isolation from the rest of Russian society under the tsars. In the wake of the October Revolution, ballet, like all of the arts, fell under the auspices of the Soviet authorities. In light of these events, many feared that the imperial ballet troupes would be disbanded. Instead, the Soviets attempted to mold the former imperial ballet to suit their revolutionary cultural agenda and employ it to reeducate the masses. As Christina Ezrahi's groundbreaking study reveals, they were far from successful in this ambitious effort to gain complete control over art. Swans of the Kremlin offers a fascinating glimpse at the collision of art and politics during the volatile first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia's two major troupes, the Mariinsky (later Kirov) and the Bolshoi, quietly but effectively resisted Soviet cultural hegemony dur. 
520 |a "A fascinating glimpse at the collision of art and politics during the first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia's two major ballet troupes quietly but effectively resisted Soviet cultural hegemony during this period"--  |c Provided by publisher. 
588 |a Description based on print version record. 
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650 7 |a HISTORY  |z Europe  |x Russia & the Former Soviet Union.  |2 bisacsh 
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650 6 |a Ballet  |z URSS  |x Histoire. 
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650 0 |a Dance  |z Soviet Union  |x History. 
650 0 |a Ballet  |z Soviet Union  |x History. 
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945 |a Project MUSE - 2012 Russian and East European Studies