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Music and the Language of Love : Seventeenth-Century French Airs /

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gordon-Seifert, Catherine Elizabeth
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, 2011.
Colección:Musical meaning and interpretation.
Music and the early modern imagination.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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050 0 4 |a ML270.2  |b .G67 2011 
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100 1 |a Gordon-Seifert, Catherine Elizabeth. 
245 1 0 |a Music and the Language of Love :   |b Seventeenth-Century French Airs /   |c Catherine Gordon-Seifert. 
264 1 |a Bloomington :  |b Indiana University Press,  |c 2011. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©2011. 
300 |a 1 online resource (408 pages):   |b ill. ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Musical meaning and interpretation 
490 0 |a Music and the early modern imagination 
504 |a Includes bibliographical references (p. [345]-367) and index. 
505 0 |a Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: À haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre. 
588 |a Description based on print version record. 
650 0 |a Love in music. 
650 0 |a Love songs  |z France  |y 17th century  |x History and criticism. 
650 0 |a Music  |z France  |y 17th century  |x History and criticism. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Musical meaning and interpretation. 
830 0 |a Music and the early modern imagination. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/1916/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2011 Complete 
945 |a Project MUSE - 2011 Film, Theater and Performing Arts