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Whiting Up : Whiteface Minstrels and Stage Europeans in African American Performance /

In this work, McAllister defines and explores whiting up, a long tradition in which African American actors, comics, musicians, and even everyday people have assumed white racial identities in a performative context. Whether in 19th century minstrel shows, in stage European performances where black...

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Detalles Bibliográficos
Autor principal: McAllister, Marvin Edward, 1969-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chapel Hill : The University of North Carolina Press, 2011.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a McAllister, Marvin Edward,  |d 1969- 
245 1 0 |a Whiting Up :   |b Whiteface Minstrels and Stage Europeans in African American Performance /   |c Marvin McAllister. 
264 1 |a Chapel Hill :  |b The University of North Carolina Press,  |c 2011. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©2011. 
300 |a 1 online resource (352 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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505 0 |a Introduction : whiting up work -- Chapter 1. Liberatory whiteness : early whiteface minstrels, enslaved and free -- Chapter 2. Imitation whiteness : James Hewlett's stage Europeans -- Chapter 3. Low-down whiteness : a trip to coontown -- Chapter 4. Trespassing on whiteness : Negro actors and the Nordic complex -- Chapter 5. Estranging whiteness : queens, clowns, and beasts in 1960s Black drama -- Chapter 6. White people be like-- : Black solo and racial difference -- Conclusion : problems and possibilities of whiting up. 
520 |a In this work, McAllister defines and explores whiting up, a long tradition in which African American actors, comics, musicians, and even everyday people have assumed white racial identities in a performative context. Whether in 19th century minstrel shows, in stage European performances where black actors take on white roles on the conventional stage, in musicals and satires crafted by a variety of African American dramatists, or in one-person shows by artists like Anna Devere Smith, McAllister argues that this form of cross-racial play creates unexpected intercultural alliances even as it inc. 
588 |a Description based on print version record. 
650 7 |a Minstrel shows.  |2 fast  |0 (OCoLC)fst01023491 
650 7 |a African Americans in the performing arts.  |2 fast  |0 (OCoLC)fst00799740 
650 7 |a SOCIAL SCIENCE  |x Ethnic Studies  |x African American Studies.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Acting & Auditioning.  |2 bisacsh 
650 6 |a Noirs americains dans les arts du spectacle  |x Histoire. 
650 6 |a Spectacles de menestrels (Theâtre americain)  |z États-Unis  |x Histoire. 
650 0 |a African Americans in the performing arts  |x History. 
650 0 |a Minstrel shows  |z United States  |x History. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/19099/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2011 Complete Supplement 
945 |a Project MUSE - 2011 Film, Theater and Performing Arts Supplement 
945 |a Project MUSE - 2011 American Studies