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LEADER 00000cam a22000004a 4500
001 musev2_18842
003 MdBmJHUP
005 20230905042027.0
006 m o d
007 cr||||||||nn|n
008 121023s2012 nbu o 00 0 eng d
020 |a 9780803244627 
020 |z 0803244622 
020 |z 9780803219274 
035 |a (OCoLC)814065960 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Hearne, Joanna,  |e author. 
245 1 0 |a Smoke Signals :   |b Native Cinema Rising /   |c Joanna Hearne. 
264 1 |a Lincoln :  |b University of Nebraska Press,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©2012. 
300 |a 1 online resource (304 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Indigenous films 
505 0 |a Cover; Title Page; Copyright page; Contents; List of Illustrations; Acknowledgments; Series Editors' Introduction; Introduction; 1. "Indians Watching Indians"; 2. "The Storyteller Is Part of the Story"; 3. "Dances with Salmon"; 4. "Take Your Dad's Pickup"; Conclusion; Appendix; Notes; Bibliography; YouTube Videography; Index. 
520 |a "An introduction to and analysis of "Smoke Signals," the most popular Native American film of all time"--  |c Provided by publisher. 
520 |a "Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--in interviews with Alexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark."--  |c Provided by publisher. 
546 |a English. 
588 |a Description based on print version record. 
630 0 7 |a Bibel  |p Philemonbrief  |2 gnd 
630 0 7 |a Smoke Signals  |2 gnd 
630 0 7 |a Smoke signals (Motion picture)  |2 fast  |0 (OCoLC)fst01402769 
630 0 0 |a Smoke signals (Motion picture) 
650 7 |a Indianer  |g Motiv  |2 gnd 
650 7 |a Indigenous films.  |2 fast  |0 (OCoLC)fst01744117 
650 7 |a Indians in motion pictures.  |2 fast  |0 (OCoLC)fst00969423 
650 7 |a SOCIAL SCIENCE  |x Ethnic Studies  |x Native American Studies.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 6 |a Films autochtones  |z États-Unis. 
650 6 |a Indiens d'Amerique au cinema. 
650 0 |a Indigenous films  |z United States. 
650 0 |a Indians in motion pictures. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
610 2 7 |a Umschulungswerkstätten für Siedler und Auswanderer  |g Bitterfeld  |2 gnd 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/18842/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2012 Complete 
945 |a Project MUSE - 2012 Film, Theater and Performing Arts 
945 |a Project MUSE - 2012 Native American and Indigenous Studies