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Performing the US Latina and Latino Borderlands /

In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and th...

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Detalles Bibliográficos
Otros Autores: García, Peter J., Sandoval, Chela, 1956-, Aldama, Arturo J., 1964-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, 2012.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Performing the US Latina and Latino Borderlands /   |c edited by Arturo J. Aldama, Chela Sandoval, and Peter J. García. 
264 1 |a Bloomington :  |b Indiana University Press,  |c 2012. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2012 
264 4 |c ©2012. 
300 |a 1 online resource (522 pages). 
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505 0 |a Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en- )Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutierrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Perez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo Mexico music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Perez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela. 
520 |a In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology 
588 |a Description based on print version record. 
650 7 |a Ethnische Identität  |2 gnd 
650 7 |a Performance  |g Künste  |2 gnd 
650 7 |a Hispanos  |2 gnd 
650 7 |a Hispanic Americans in the performing arts.  |2 fast  |0 (OCoLC)fst00957630 
650 7 |a Hispanic Americans  |x Ethnic identity.  |2 fast  |0 (OCoLC)fst00957556 
650 7 |a PERFORMING ARTS  |x General.  |2 bisacsh 
650 7 |a SPORTS & RECREATION  |x General.  |2 bisacsh 
650 6 |a Americains d'origine latino-americaine dans les arts du spectacle. 
650 0 |a Hispanic Americans  |x Ethnic identity. 
650 0 |a Hispanic Americans in the performing arts. 
655 7 |a Essais.  |2 rvmgf 
655 7 |a Essays.  |2 lcgft 
655 7 |a Essays.  |2 fast  |0 (OCoLC)fst01919922 
655 7 |a essays.  |2 aat 
655 0 |a Electronic book. 
655 7 |a Electronic books.   |2 local 
700 1 |a García, Peter J. 
700 1 |a Sandoval, Chela,  |d 1956- 
700 1 |a Aldama, Arturo J.,  |d 1964- 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/18667/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2012 Complete 
945 |a Project MUSE - 2012 Global Cultural Studies 
945 |a Project MUSE - 2012 American Studies