MARC

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001 musev2_18462
003 MdBmJHUP
005 20230905042004.0
006 m o d
007 cr||||||||nn|n
008 090914s2010 ilu o 00 0 eng d
010 |z  2019718458 
020 |a 9780252091490 
020 |z 9780252035142 
020 |z 9780252076985 
035 |a (OCoLC)708738128 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Hayes, Eileen M. 
245 1 0 |a Songs in Black and Lavender :   |b Race, Sexual Politics, and Women's Music /   |c Eileen M. Hayes ; foreword by Linda Tillery. 
264 1 |a Urbana :  |b University of Illinois Press,  |c [2010] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©[2010] 
300 |a 1 online resource (248 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a African American music in global perspective 
505 0 |a Diary of a mad Black woman festigoer -- Reconnaissance : entering a music festival scene -- After the golden age : negotiating perspective -- Nappy (and deep) roots : streams of musical and political influence -- "Ideal relationships" : women's music audiences -- Redistricting : gay and black outdoors -- Legacy : musicians of the next generation -- Working for the weekend : festival organizers and workers -- Guys like us : community membership revisited. 
520 8 |a Annotation  |b <div>Drawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role of music and lesbian community formation. She argues that the women's music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women's involvement in the women's music festival scene, the ramifications of their performances as drag kings in those environments, and the challenges and joys of a black lesbian retreat based on the feminist festival model. With acuity and candor, longtime feminist activist Hayes elucidates why this music scene matters. Veteran vocalist, percussionist, producer, and cultural historian Linda Tillery provides a foreword.</div> 
588 |a Description based on print version record. 
650 7 |a Women's music festivals  |2 fast  |0 (OCoLC)fst01178762 
650 7 |a Women's music  |2 fast  |0 (OCoLC)fst01178761 
650 7 |a Feminism and music  |2 fast  |0 (OCoLC)fst00922744 
650 7 |a MUSIC  |x General.  |2 bisacsh 
650 7 |a MUSIC  |x Reference.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 6 |a Feminisme et musique  |z États-Unis. 
650 6 |a Festivals de musique feminine  |z États-Unis. 
650 6 |a Noires americaines  |x Musique  |x Histoire et critique. 
650 0 |a Feminism and music  |z United States. 
650 0 |a Women's music festivals  |z United States. 
650 0 |a Women's music  |x History and criticism. 
650 0 |a African American women  |x Music  |x History and criticism. 
651 7 |a United States  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/18462/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Global Cultural Studies Supplement 
945 |a Project MUSE - Archive Complete Supplement 
945 |a Project MUSE - Archive American Studies Foundation