Universal Women : Filmmaking and Institutional Change in Early Hollywood /

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Between 1912 and 1919, the Universal Film Manufacturing Company first systematically supported and promoted women directors--crediting eleven women with directing at least 170 films--and then abruptly reversed that policy. In this trailblazing study, Mark Garrett Cooper approaches the phenomenon as...

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Detalles Bibliográficos
Autor principal: Cooper, Mark Garrett
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2010]
Colección:Book collections on Project MUSE.
Temas:
Universal Pictures (Etats-Unis) > 1912 / 1930.
Universal Pictures > Los Angeles, Calif.
Universal Film Manufacturing Company.
Universal Film Manufacturing Company > History.
cinema americain (Etats-Unis) > industrie > realisatrice (cinema) > 1912 > 1930.
cinema americain (Etats-Unis) > femme > industrie > 1912 > 1930.
Filmregisseurin
Women motion picture producers and directors.
PERFORMING ARTS > Film & Video > Direction & Production.
Productrices et realisatrices de cinema > Histoire > 20e siecle.
Productrices et realisatrices de cinema > États-Unis.
Women motion picture producers and directors > History > 20th century.
Women motion picture producers and directors > United States.
United States.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Preface : a puzzle, some premises, and a hypothesis
  • Possibility. Universal's names
  • Universal's organization
  • Universal City
  • Impossibility. Genre : a category of institutional analysis
  • Serials : the foreclosure of collaboration
  • Gender and the dramatic feature
  • Postscript : Eleanor's catch.

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