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Universal Women : Filmmaking and Institutional Change in Early Hollywood /
Between 1912 and 1919, the Universal Film Manufacturing Company first systematically supported and promoted women directors--crediting eleven women with directing at least 170 films--and then abruptly reversed that policy. In this trailblazing study, Mark Garrett Cooper approaches the phenomenon as...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
[2010]
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780252090875 | ||
| 020 | |z 9780252077005 | ||
| 020 | |z 9780252035227 | ||
| 035 | |a (OCoLC)708738125 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Cooper, Mark Garrett. | |
| 245 | 1 | 0 | |a Universal Women : |b Filmmaking and Institutional Change in Early Hollywood / |c Mark Garrett Cooper. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c [2010] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©[2010] | |
| 300 | |a 1 online resource (264 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Women and film history international | |
| 505 | 0 | |a Preface : a puzzle, some premises, and a hypothesis -- Possibility. Universal's names -- Universal's organization -- Universal City -- Impossibility. Genre : a category of institutional analysis -- Serials : the foreclosure of collaboration -- Gender and the dramatic feature -- Postscript : Eleanor's catch. | |
| 520 | |a Between 1912 and 1919, the Universal Film Manufacturing Company first systematically supported and promoted women directors--crediting eleven women with directing at least 170 films--and then abruptly reversed that policy. In this trailblazing study, Mark Garrett Cooper approaches the phenomenon as a case study in how corporate movie studios interpret and act on institutional culture. In focusing on issues of institutional change, Cooper challenges interpretations that explain women's exile from the film industry as the inevitable result of a transhistorical sexism or as an effect of a broadly cultural revision of gendered work roles. Drawing on a range of historical and sociological approaches to studying corporate institutions, Cooper examines the relationship between institutional organization and aesthetic conventions during the formative years when women filmmakers such as Ruth Ann Baldwin, Cleo Madison, Ruth Stonehouse, Elise Jane Wilson, and Ida May Park directed films for Universal. | ||
| 588 | |a Description based on print version record. | ||
| 610 | 2 | 7 | |a Universal Pictures (Etats-Unis) |y 1912 / 1930. |2 rero |
| 610 | 2 | 7 | |a Universal Pictures |g Los Angeles, Calif. |2 gnd |
| 610 | 2 | 7 | |a Universal Film Manufacturing Company. |2 fast |0 (OCoLC)fst00624193 |
| 610 | 2 | 0 | |a Universal Film Manufacturing Company |x History. |
| 650 | 7 | |a cinema americain (Etats-Unis) |x industrie |x realisatrice (cinema) |y 1912 |x 1930. |2 rero | |
| 650 | 7 | |a cinema americain (Etats-Unis) |x femme |x industrie |y 1912 |x 1930. |2 rero | |
| 650 | 7 | |a Filmregisseurin |2 gnd | |
| 650 | 7 | |a Women motion picture producers and directors. |2 fast |0 (OCoLC)fst01178163 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 6 | |a Productrices et realisatrices de cinema |x Histoire |y 20e siecle. | |
| 650 | 6 | |a Productrices et realisatrices de cinema |z États-Unis. | |
| 650 | 0 | |a Women motion picture producers and directors |x History |y 20th century. | |
| 650 | 0 | |a Women motion picture producers and directors |z United States. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/18461/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement | ||
| 945 | |a Project MUSE - Archive Complete Supplement | ||