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Screening Cuba : Film Criticism as Political Performance during the Cold War /

In examining cultural production through the lens of the Cold War, Amaya reveals how contrasting interpretations by Cuban and U.S. critics are the result of the political cultures in which they operated. While Cuban critics viewed the films as powerful symbols of the social promises of the Cuban rev...

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Detalles Bibliográficos
Autor principal: Amaya, Hector
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2010]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Amaya, Hector. 
245 1 0 |a Screening Cuba :   |b Film Criticism as Political Performance during the Cold War /   |c Hector Amaya. 
264 1 |a Urbana :  |b University of Illinois Press,  |c [2010] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2013 
264 4 |c ©[2010] 
300 |a 1 online resource (248 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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505 0 |a Staging film criticism. Cuban culture, institutions, policies, and citizens -- The Cuban revolutionary hermeneutics : criticism and citizenship -- The U.S. field of culture -- U.S. criticism, dissent, and hermeneutics -- Performing film criticism. Memories of underdevelopment -- Lucia -- One way or another -- Portrait of Teresa -- Conclusion. 
520 |a In examining cultural production through the lens of the Cold War, Amaya reveals how contrasting interpretations by Cuban and U.S. critics are the result of the political cultures in which they operated. While Cuban critics viewed the films as powerful symbols of the social promises of the Cuban revolution, liberal and leftist American critics found meaning in the films as representations of anti-establishment progressive values and Cold War discourses. By contrasting the hermeneutics of Cuban and U.S. culture, criticism, and citizenship, Amaya argues that critical receptions of political films constitute a kind of civic public behavior"--Publisher 
588 |a Description based on print version record. 
650 7 |a Motion pictures  |x Political aspects.  |2 fast  |0 (OCoLC)fst01027353 
650 7 |a Motion pictures, Cuban.  |2 fast  |0 (OCoLC)fst01750028 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a Film criticism.  |2 fast  |0 (OCoLC)fst00924259 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Reference.  |2 bisacsh 
650 7 |a ART  |x Film & Video.  |2 bisacsh 
650 6 |a Critique cinematographique  |z Cuba  |x Histoire  |y 20e siecle. 
650 6 |a Critique cinematographique  |z États-Unis  |x Histoire  |y 20e siecle. 
650 6 |a Cinema  |z Cuba  |x Histoire  |y 20e siecle. 
650 6 |a Cinema cubain  |z États-Unis. 
650 0 |a Film criticism  |z Cuba  |x History  |y 20th century. 
650 0 |a Film criticism  |z United States  |x History  |y 20th century. 
650 0 |a Motion pictures  |x Political aspects  |z Cuba. 
650 0 |a Motion pictures  |z Cuba  |x History  |y 20th century. 
650 0 |a Motion pictures, Cuban  |z United States. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
651 7 |a Cuba.  |2 fast  |0 (OCoLC)fst01205805 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/18447/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement 
945 |a Project MUSE - Archive Complete Supplement 
945 |a Project MUSE - Archive Latin American and Caribbean Studies Foundation