Cargando…
Scripting Hitchcock : Psycho, The Birds, and Marnie /
This book explores the collaborative process between Alfred Hitchcock and the screenwriters he hired to write the scripts for three of his greatest films: Psycho, The Birds, and Marnie. Drawing from extensive interviews with the screenwriters and other film technicians who worked for Hitchcock, the...
| Autor principal: | |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
2011.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_18405 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905042000.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 110225s2011 ilu o 00 0 eng d | ||
| 020 | |a 9780252093517 | ||
| 020 | |z 9780252036484 | ||
| 020 | |z 9780252078248 | ||
| 035 | |a (OCoLC)767579269 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Raubicheck, Walter, |d 1950- | |
| 245 | 1 | 0 | |a Scripting Hitchcock : |b Psycho, The Birds, and Marnie / |c Walter Raubicheck & Walter Srebnick. |
| 264 | 1 | |a Urbana : |b University of Illinois Press, |c 2011. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2013 | |
| 264 | 4 | |c ©2011. | |
| 300 | |a 1 online resource (160 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Preface -- The triptych and the screenplays -- The sources -- From treatment to script -- Final drafts : the shooting script -- Afterword. | |
| 520 | |a This book explores the collaborative process between Alfred Hitchcock and the screenwriters he hired to write the scripts for three of his greatest films: Psycho, The Birds, and Marnie. Drawing from extensive interviews with the screenwriters and other film technicians who worked for Hitchcock, the authors illustrate how much of the filmmaking process took place not on the set or in front of the camera, but in the adaptation of the sources, the mutual creation of plot and characters by the director and the writers, and the various revisions of the written texts of the films. Hitchcock allowed his writers a great deal of creative freedom, which resulted in dynamic screenplays that expanded traditional narrative and defied earlier conventions. Critically examining the question of authorship in film, the authors argue that Hitchcock did establish visual and narrative priorities for his writers, but his role in the writing process was that of an editor. While the writers and their contributions have generally been underappreciated, this study reveals that all the dialogue and much of the narrative structure of the films were the work of screenwriters Jay Presson Allen, Joseph Stefano, and Evan Hunter. The writers also shaped American cultural themes into material specifically for actors such as Janet Leigh, Tippi Hedren, and Tony Perkins. This volume gives due credit to those writers who gave narrative form to Hitchcock's filmic vision. -- Back Cover. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Hitchcock, Alfred, |d 1899-1980. |2 fast |0 (OCoLC)fst00032434 |
| 600 | 1 | 0 | |a Hitchcock, Alfred, |d 1899-1980 |x Criticism and interpretation. |
| 630 | 0 | 7 | |a Psycho (Motion picture : 1960) |2 fast |0 (OCoLC)fst01716091 |
| 630 | 0 | 7 | |a Marnie (Motion picture) |2 fast |0 (OCoLC)fst01396687 |
| 630 | 0 | 7 | |a Birds (Motion picture) |2 fast |0 (OCoLC)fst01377982 |
| 630 | 0 | 0 | |a Marnie (Motion picture) |
| 630 | 0 | 0 | |a Birds (Motion picture) |
| 630 | 0 | 0 | |a Psycho (Motion picture : 1960) |
| 650 | 7 | |a Screenwriters. |2 fast |0 (OCoLC)fst01109351 | |
| 650 | 7 | |a Motion picture plays, American. |2 fast |0 (OCoLC)fst01740826 | |
| 650 | 7 | |a Motion picture authorship. |2 fast |0 (OCoLC)fst01027122 | |
| 650 | 7 | |a Film adaptations. |2 fast |0 (OCoLC)fst00924250 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 6 | |a Scenaristes |z États-Unis. | |
| 650 | 6 | |a Adaptations cinematographiques |x Histoire et critique. | |
| 650 | 6 | |a Cinema |x Art d'ecrire. | |
| 650 | 6 | |a Scenarios de cinema americains |x Histoire et critique. | |
| 650 | 0 | |a Screenwriters |z United States. | |
| 650 | 0 | |a Film adaptations |x History and criticism. | |
| 650 | 0 | |a Motion picture authorship. | |
| 650 | 0 | |a Motion picture plays, American |x History and criticism. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Srebnick, Walter. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/18405/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2011 Complete Supplement | ||
| 945 | |a Project MUSE - 2011 Film, Theater and Performing Arts Supplement | ||