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Dangerous Masculinities : Conrad, Hemingway, and Lawrence /
In Dangerous Masculinities, Thomas Strychacz has as his goal nothing less than to turn scholarship on gender and modernism on its head. He focuses on the way some early twentieth-century writers portray masculinity as theatrical performance, and examines why scholars have generally overlooked that f...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Gainesville :
University Press of Florida,
2008.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Table of Contents v; Acknowledgments vii; Introduction 1; 1 Masculinity Studies, Professionalism, and the Rhetoric of Gender 14; 2 Making a Mess of Manhood in Hemingway's "The Capital of the World" 48; 3 The Construction of Hemingway: Masculine Style and Style-less Masculinity 73; 4 "Looking at Another Man's Work" Theaters of Masculinity in Conrad's Lord Jim 104; 5 "Show[ing] Himself as a Man": Constructions of Manhood in Conrad's Imperial Theater 128; 6 Leaving Our Sureties Behind: Lawrence's Rhetorical Play with Gender Roles 159
- 7 Doing a Double Take: Reading Gender Issues in Women in Love 1778 Conclusion: Lawrence, Positionality, and the Prospects for New Masculinity Studies 208; Notes 223; Bibliography 239; Index 255