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Listening Up, Writing Down, and Looking Beyond : Interfaces of the Oral, Written, and Visual /
An interdisciplinary collection that gathers the work of scholars and performance practitioners who together explore questions about the oral, written, and visual. It addresses the politics and ethics of the utterance and text: textualising orature and orality, simulations of the oral, the poetics o...
| Otros Autores: | , |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Waterloo, Ontario, Canada :
Wilfrid Laurier University Press,
[2012]
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| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 005 | 20230905041901.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 111114t20122012onc o 00 0 eng d | ||
| 020 | |a 9781554583928 | ||
| 020 | |z 1554583640 | ||
| 020 | |z 1554583926 | ||
| 020 | |z 9781554583645 | ||
| 035 | |a (OCoLC)761459339 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 0 | 0 | |a Listening Up, Writing Down, and Looking Beyond : |b Interfaces of the Oral, Written, and Visual / |c Susan Gingell and Wendy Roy, editors. |
| 264 | 1 | |a Waterloo, Ontario, Canada : |b Wilfrid Laurier University Press, |c [2012] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2012 | |
| 264 | 4 | |c ©[2012] | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction -- Opening the Door to Transdisciplinary, Multimodal Communication / Wendy Roy -- Listening Up: Performance Poetics. Bring Da Noise: The Poetics of Performance, chez d'bi young and Oni Joseph / George Elliott Clarke -- storyteller's integrity / d'bi.young.anitafrika -- Poetry Performances on the Page and Stage: Insights from Slam / Helen Gregory -- Poetry and Overturned Cars: Why Performance Poetry Can't Be Studied (and Why We Should Study It Anyway) / Hugh Hodges -- Echohomonymy: A Poetics of Ethos, Eros, and Erasure / Adeena Karasick -- Dialect Poetry and the Need for Performance: The Case of William Barnes / T.L. Burton -- Speech-Music Continuum / Paul Dutton -- Writing Down: Textualized Orature and Orality. Writing and Rapping for a New South Africa: The Poetry of Lesego Rampolokeng / Gugu Hlongwane -- Ballad as Site of Rebellion: Orality, Gender, and the Granuaile Aislingi / Naomi Foyle -- "pleasure for our sense, health for our hearts": Inferring Pronuntiatio and Actio from the Text of John Donne's Second Prebend Sermon / Brent Nelson -- "The Power and the Paradox" of the Spoken Story: Challenges to the Tyranny of the Written in Contemporary Canadian Fiction / Wendy Roy -- What's in a Frame? The Significance of Relational Word Bundles in Louise Bernice Halfe's Blue Marrow / Mareike Neuhaus -- Toward an "Open Field": The Ethics of the Encounter in Life Lived Like a Story / Emily Blacker -- Looking Beyond: Reintegrating the Visual. Becoming the Storyteller: Meaning Making in Our Age of Resistance / Waziyatawin -- Re-Si(gh)ting the Storyteller in Textualized Orature: Photographs in The Days of Augusta / Cara DeHaan -- Traditionalizing Modernity and Sound Identity in Neal McLeod's Writings of the Oral[/ Susan Gingell -- Nexus of Connections: Acts of Recovery, Acts of Resistance in Native Palimpsest / Kimberly M. Blaeser. | |
| 520 | |a An interdisciplinary collection that gathers the work of scholars and performance practitioners who together explore questions about the oral, written, and visual. It addresses the politics and ethics of the utterance and text: textualising orature and orality, simulations of the oral, the poetics of performance, and reconstructions of the oral. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Performance art. |2 fast |0 (OCoLC)fst01057852 | |
| 650 | 7 | |a Oral tradition. |2 fast |0 (OCoLC)fst01047117 | |
| 650 | 7 | |a Indigenous peoples in literature. |2 fast |0 (OCoLC)fst00970266 | |
| 650 | 7 | |a ART |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 6 | |a Autochtones dans la litterature. | |
| 650 | 6 | |a Tradition orale. | |
| 650 | 6 | |a Art de performance |x Aspect social. | |
| 650 | 6 | |a Art de performance |x Histoire et critique. | |
| 650 | 5 | |a Native peoples in literature. | |
| 650 | 0 | |a Indigenous peoples in literature. | |
| 650 | 0 | |a Oral tradition. | |
| 650 | 0 | |a Performance art |x Social aspects. | |
| 650 | 0 | |a Performance art |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Roy, Wendy, |d 1957- |e editor. | |
| 700 | 1 | |a Gingell, Susan, |d 1951- |e editor. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/17433/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2012 Complete | ||
| 945 | |a Project MUSE - 2012 Film, Theater and Performing Arts | ||